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Originally from a set of 12, each of these 11 <em>sencha</em> teacups has a different landscape wrapped around the body, giving individual cups their own engaging narrative. These paintings are comfortingly familiar in their formulaic qualities, known to any casual fan of ink painting; they are also enjoyable in the way the narratives are revealed as one manipulates the cups. They would be perfect as conversation pieces for a tea gathering. <br><br>Four of the cups focus on travelers approaching residences. Two have a person crossing a bridge as their central motif: one man has a backpack, and the other, a cloth-wrapped bundle hanging from a pole slung over his shoulder. Another cup depicts a pair of friends gathered together on rock platforms. A single cup shows a man carrying a furled banner toward a pavilion. The remaining three cups feature people riding in boats: two have literati passengers, and the third is occupied by a fisherman. <br><br>Seifu Yohei IV’s training as a painter with Tanomura Shosai (1847–1909), an adoptive son of Tanomura Chokunyu, his father’s painting teacher, is evident in the details of the tiny worlds created on the cups.
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- Page
- 1
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- 0
- Type
- photo
- Media ID
- e8d02eb73b590173
- Size
- unknown
Document data
- ID
- 520352
- Core
- obj
- Type
- object
DTO data
{
"id": "520352",
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"title": "Teacup from Teacups with Chinese Landscapes",
"description": "Originally from a set of 12, each of these 11 <em>sencha</em> teacups has a different landscape wrapped around the body, giving individual cups their own engaging narrative. These paintings are comfortingly familiar in their formulaic qualities, known to any casual fan of ink painting; they are also enjoyable in the way the narratives are revealed as one manipulates the cups. They would be perfect as conversation pieces for a tea gathering. <br><br>Four of the cups focus on travelers approaching residences. Two have a person crossing a bridge as their central motif: one man has a backpack, and the other, a cloth-wrapped bundle hanging from a pole slung over his shoulder. Another cup depicts a pair of friends gathered together on rock platforms. A single cup shows a man carrying a furled banner toward a pavilion. The remaining three cups feature people riding in boats: two have literati passengers, and the third is occupied by a fisherman. <br><br>Seifu Yohei IV’s training as a painter with Tanomura Shosai (1847–1909), an adoptive son of Tanomura Chokunyu, his father’s painting teacher, is evident in the details of the tiny worlds created on the cups.",
"date": "1914–46",
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299426
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"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 4 x 6.6 cm (1 9/16 x 2 5/8 in.)",
"cul": [
"Japan, Meiji period (1868–1912)"
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Document identity
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"label": "Teacup from Teacups with Chinese Landscapes",
"core": "obj",
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Document source metadata
{
"id": "520352",
"contentType": "object",
"title": "Teacup from Teacups with Chinese Landscapes",
"description": "Originally from a set of 12, each of these 11 <em>sencha</em> teacups has a different landscape wrapped around the body, giving individual cups their own engaging narrative. These paintings are comfortingly familiar in their formulaic qualities, known to any casual fan of ink painting; they are also enjoyable in the way the narratives are revealed as one manipulates the cups. They would be perfect as conversation pieces for a tea gathering. <br><br>Four of the cups focus on travelers approaching residences. Two have a person crossing a bridge as their central motif: one man has a backpack, and the other, a cloth-wrapped bundle hanging from a pole slung over his shoulder. Another cup depicts a pair of friends gathered together on rock platforms. A single cup shows a man carrying a furled banner toward a pavilion. The remaining three cups feature people riding in boats: two have literati passengers, and the third is occupied by a fisherman. <br><br>Seifu Yohei IV’s training as a painter with Tanomura Shosai (1847–1909), an adoptive son of Tanomura Chokunyu, his father’s painting teacher, is evident in the details of the tiny worlds created on the cups.",
"date": "1914–46",
"citation": "https://clevelandart.org/art/2022.202.7",
"rights": "CC0",
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"language": "en",
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299426
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/2022.202.7/2022.202.7_web.jpg",
"imageCount": 1,
"source": "import",
"dimensionsRaw": "Overall: 4 x 6.6 cm (1 9/16 x 2 5/8 in.)",
"cul": [
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Document source extras
{
"tec": "One from a set of eleven teacups; porcelain with underglaze blue",
"tombstone": "Teacup from Teacups with Chinese Landscapes, 1914–46. Seifū Yohei IV (Japanese, 1872–1951). One from a set of eleven teacups; porcelain with underglaze blue; overall: 4 x 6.6 cm (1 9/16 x 2 5/8 in.). The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.202.7",
"collection": "Japanese Art",
"didYouKnow": "Seifū Yohei IV produced many works for use in Chinese-style tea gatherings called <em>sencha</em>.",
"citations": [
{
"citation": "Maezaki, Shinya and Sinéad Vilbar. <em>Colors of Kyoto: The Seifū Yohei Ceramic Studio</em>. Cleveland, OH: The Cleveland Museum of Art, 2023.",
"page_number": "Mentioned and Reproduced: cat. no. 58, pp. 146–147"
}
],
"url": "https://clevelandart.org/art/2022.202.7",
"creditline": "Gift of James and Christine Heusinger",
"updatedAt": "2026-05-29 09:08:21.546000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/2022.202.7/2022.202.7_print.jpg",
"sourceId": 520352,
"dept": "Japanese Art",
"coll": "Japanese Art",
"med": "One from a set of eleven teacups; porcelain with underglaze blue",
"creatorTags": [
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Page context
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