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The five sencha teacups in this set are decorated with incised flowers and dots between a double band at the top and a single band at the bottom. They are in Yohei III’s creamy <em>taihakuji</em> body and glaze. In their motifs, they are quite similar to an incense burner by Yohei III (see <a href="http://www.clevelandart.org/art/2022.180">CMA 2022.180</a>), but the flowers are even more simple in design, with no open circle at the center. <br><br>A label affixed to the side of the box refers to them as “<em>sencha</em> cups in emulation of Korean white [ware].” The reference to Korean ware indicates that even though Yohei was more directly inspired by Qing-dynasty wares from the Dehua kilns in Fujian Province in developing his porcelain clay and glaze for works such as these, the general understanding of the continental models still placed them, at least in terms of color, among pieces broadly associated in Japan with Korean white wares. The delicate cups are thinly potted, so they have a highly desirable translucency.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 33fd1a9e1076c4e6
- Size
- unknown
Document data
- ID
- 520539
- Core
- obj
- Type
- object
DTO data
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"title": "Teacup from Teacups with Floral Band Motif",
"description": "The five sencha teacups in this set are decorated with incised flowers and dots between a double band at the top and a single band at the bottom. They are in Yohei III’s creamy <em>taihakuji</em> body and glaze. In their motifs, they are quite similar to an incense burner by Yohei III (see <a href=\"http://www.clevelandart.org/art/2022.180\">CMA 2022.180</a>), but the flowers are even more simple in design, with no open circle at the center. <br><br>A label affixed to the side of the box refers to them as “<em>sencha</em> cups in emulation of Korean white [ware].” The reference to Korean ware indicates that even though Yohei was more directly inspired by Qing-dynasty wares from the Dehua kilns in Fujian Province in developing his porcelain clay and glaze for works such as these, the general understanding of the continental models still placed them, at least in terms of color, among pieces broadly associated in Japan with Korean white wares. The delicate cups are thinly potted, so they have a highly desirable translucency.",
"date": "1893–1914",
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"source": "import",
"dimensionsRaw": "Overall: 4.5 x 8.5 cm (1 3/4 x 3 3/8 in.)",
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}
Context sent to Scholar
Document identity
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"label": "Teacup from Teacups with Floral Band Motif",
"core": "obj",
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}
Document source metadata
{
"id": "520539",
"contentType": "object",
"title": "Teacup from Teacups with Floral Band Motif",
"description": "The five sencha teacups in this set are decorated with incised flowers and dots between a double band at the top and a single band at the bottom. They are in Yohei III’s creamy <em>taihakuji</em> body and glaze. In their motifs, they are quite similar to an incense burner by Yohei III (see <a href=\"http://www.clevelandart.org/art/2022.180\">CMA 2022.180</a>), but the flowers are even more simple in design, with no open circle at the center. <br><br>A label affixed to the side of the box refers to them as “<em>sencha</em> cups in emulation of Korean white [ware].” The reference to Korean ware indicates that even though Yohei was more directly inspired by Qing-dynasty wares from the Dehua kilns in Fujian Province in developing his porcelain clay and glaze for works such as these, the general understanding of the continental models still placed them, at least in terms of color, among pieces broadly associated in Japan with Korean white wares. The delicate cups are thinly potted, so they have a highly desirable translucency.",
"date": "1893–1914",
"citation": "https://clevelandart.org/art/2022.173.1",
"rights": "CC0",
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"language": "en",
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"largeImageUrl": "https://openaccess-cdn.clevelandart.org/2022.173.1/2022.173.1_web.jpg",
"imageCount": 1,
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"dimensionsRaw": "Overall: 4.5 x 8.5 cm (1 3/4 x 3 3/8 in.)",
"cul": [
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Document source extras
{
"tec": "One from a set of five cups; porcelain with incised decoration",
"tombstone": "Teacup from Teacups with Floral Band Motif, 1893–1914. Seifū Yohei III (Japanese, 1851–1914). One from a set of five cups; porcelain with incised decoration; overall: 4.5 x 8.5 cm (1 3/4 x 3 3/8 in.). The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.173.1",
"collection": "Japanese Art",
"didYouKnow": "The delicate cups in this set are thinly potted, so they have a highly desirable translucency.",
"citations": [
{
"citation": "Maezaki, Shinya and Sinéad Vilbar. <em>Colors of Kyoto: The Seifū Yohei Ceramic Studio</em>. Cleveland, OH: The Cleveland Museum of Art, 2023.",
"page_number": "Mentioned and Reproduced: cat. no. 29, p. 104"
}
],
"url": "https://clevelandart.org/art/2022.173.1",
"creditline": "Gift of James and Christine Heusinger",
"updatedAt": "2026-05-29 09:08:25.907000",
"imageUrl": "https://openaccess-cdn.clevelandart.org/2022.173.1/2022.173.1_print.jpg",
"sourceId": 520539,
"dept": "Japanese Art",
"coll": "Japanese Art",
"med": "One from a set of five cups; porcelain with incised decoration",
"creatorTags": [
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Page context
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