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The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem "Drinking Wine" by Tao Yuanming (AD 365-427). Here, the mirror featuring Buddhist iconography (kyojo) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.

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Page
1
Source index
0
Type
photo
Media ID
25d9db2997081dc1
Size
unknown

Document data

ID
98018
Core
obj
Type
object
DTO data
{
    "id": "98018",
    "contentType": "object",
    "title": "Mirror with Pair of Cranes in Chrysanthemum",
    "description": "The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem \"Drinking Wine\" by Tao Yuanming (AD 365-427). Here, the mirror featuring Buddhist iconography (kyojo) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.",
    "date": "1400–1573",
    "citation": "https://clevelandart.org/art/1917.646",
    "rights": "CC0",
    "rightsUri": "CC0",
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    ],
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    ],
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    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1917.646/1917.646_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Diameter: 11.3 cm (4 7/16 in.)",
    "cul": [
        "Japan, Muromachi period (1392–1573)"
    ],
    "accession": "1917.646"
}

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Document identity
{
    "localId": "98018",
    "label": "Mirror with Pair of Cranes in Chrysanthemum",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "98018",
    "contentType": "object",
    "title": "Mirror with Pair of Cranes in Chrysanthemum",
    "description": "The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem \"Drinking Wine\" by Tao Yuanming (AD 365-427). Here, the mirror featuring Buddhist iconography (kyojo) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.",
    "date": "1400–1573",
    "citation": "https://clevelandart.org/art/1917.646",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
    "wikidata": [
        "Q79483023"
    ],
    "genreSpecific": [
        "Metalwork"
    ],
    "iiifBase": "https://openaccess-cdn.clevelandart.org/1917.646/1917.646_web.jpg",
    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1917.646/1917.646_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1917.646/1917.646_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Diameter: 11.3 cm (4 7/16 in.)",
    "cul": [
        "Japan, Muromachi period (1392–1573)"
    ],
    "accession": "1917.646"
}
Document source extras
{
    "tec": "bronze",
    "tombstone": "Mirror with Pair of Cranes in Chrysanthemum, 1400–1573. Japan, Muromachi period (1392–1573). Bronze; diameter: 11.3 cm (4 7/16 in.). The Cleveland Museum of Art, Gift of D. Z. Norton, 1917.646",
    "collection": "Japanese Art",
    "formerAccessionNumbers": [
        "315.1917"
    ],
    "citations": [
        {
            "citation": "\"Accessions.\" <em>The Bulletin of the Cleveland Museum of Art</em> 4, no. 4 (1917): 64-67.",
            "page_number": "http://www.jstor.org/stable/25136092",
            "url": "http://www.jstor.org/stable/25136092"
        },
        {
            "citation": "Cleveland Museum of Art, and Sŏn Sŭng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland: Cleveland Museum of Art, 2011.",
            "page_number": "Mentioned and reproduced: P. 57-58, no. 35"
        }
    ],
    "url": "https://clevelandart.org/art/1917.646",
    "creditline": "Gift of D. Z. Norton",
    "updatedAt": "2026-05-29 05:17:34.664000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/1917.646/1917.646_print.jpg",
    "sourceId": 98018,
    "dept": "Japanese Art",
    "coll": "Japanese Art",
    "med": "bronze",
    "thumbnail_url": null,
    "image_url": null
}
Page context
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