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Source Description
This print depicts the Roman Emperor Augustus (reigned 27 BC–AD 14) and the Tiburtine Sybil, one of several women that Apollo bestowed with prophetic powers. Augustus was deciding whether or not to accept apotheosis (recognition of the emperor as a god after death) and asked the Tiburtine Sybil for advice. At the moment the two met on the Capitoline Hill, the Madonna and Christ the Child appeared before them, revealing the coming of the child as the one who would have surpassed Augustus in ruling the world. Upon the site of the vision, Augustus had built an altar, the Aracoeli. Later, on the same spot, the church of Santa Maria in Aracoeli was erected. Antonio da Trento probably made this print under the direct supervision of Parmigianino. In later printings, Antonio da Trento's line block went through two state changes. The CMA example represents the second state, characterized by the addition of hatching to the cheek of the attendant at the left of the composition.
Scholar Source Context
Document identity
localId
104845
label
Tiburtine Sibyl and the Emperor Augustus
core
obj
dtoType
print
pageCount
1
Source metadata
id
104845
contentType
print
title
Tiburtine Sibyl and the Emperor Augustus
description
This print depicts the Roman Emperor Augustus (reigned 27 BC–AD 14) and the Tiburtine Sybil, one of several women that Apollo bestowed with prophetic powers. Augustus was deciding whether or not to accept apotheosis (recognition of the emperor as a god after death) and asked the Tiburtine Sybil for advice. At the moment the two met on the Capitoline Hill, the Madonna and Christ the Child appeared before them, revealing the coming of the child as the one who would have surpassed Augustus in ruling the world. Upon the site of the vision, Augustus had built an altar, the Aracoeli. Later, on the same spot, the church of Santa Maria in Aracoeli was erected. Antonio da Trento probably made this print under the direct supervision of Parmigianino. In later printings, Antonio da Trento's line block went through two state changes. The CMA example represents the second state, characterized by the addition of hatching to the cheek of the attendant at the left of the composition.
date
c. 1527–30/31
rights
CC0
rightsUri
CC0
language
en
creators
4597
4645
genreSpecific
Print
imageCount
1
source
import
dimensionsRaw
Sheet: 34.1 x 25.9 cm (13 7/16 x 10 3/16 in.)
cul
Italy, 16th century
accession
1923.115
Source extras
tec
chiaroscuro woodcut (in brown-green and black)
tombstone
Tiburtine Sibyl and the Emperor Augustus, c. 1527–30/31. After Parmigianino (Italian, 1503–1540), Antonio da Trento (Italian, c. 1508–c. 1550). Chiaroscuro woodcut (in brown-green and black); sheet: 34.1 x 25.9 cm (13 7/16 x 10 3/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1923.115
supportMaterials
description
beige(1) laid paper
collection
PR - Chiaroscuro
citations
citation
Goldfarb, Hilliard T. “Chiaroscuro Woodcut Technique and Andrea Andreani.” <em>The Bulletin of the Cleveland Museum of Art</em> 68, no. 9 (November 1981): 307–330.
page_number
Mentioned and reproduced: p. 315, fig. 13
citation
Takahatake, Naoko, et al. <em>The Chiaroscuro Woodcut in Renaissance Italy</em>. Los Angeles : Los Angeles County Museum of Art ; Munich ; New York : DelMonico Books/Prestel, 2018.
page_number
Reproduced and mentioned: pp. 112-116, cat. 32
catalogueRaisonne
Bartsch 7 (XII.90)
creditline
Dudley P. Allen Fund
updatedAt
2026-05-29 05:39:25.570000
sourceId
104845
dept
Prints
coll
PR - Chiaroscuro
med
chiaroscuro woodcut (in brown-green and black)
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
a277bdb03c8230e5