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Source Description
One of the most lavish tributes paid to the memory of Jean-Antoine Watteau (1684-1721) was the publication of four volumes of more than 600 prints (1726-35) after all the paintings and drawings known by the master. Boucher was one of the printmakers who worked on the project, which enabled him to study Watteau's draftsmanship, one of the most significant lessons of his early career.
Scholar Source Context
Document identity
localId
109157
label
Woman Standing
core
obj
dtoType
print
pageCount
1
Source metadata
id
109157
contentType
print
title
Woman Standing
description
One of the most lavish tributes paid to the memory of Jean-Antoine Watteau (1684-1721) was the publication of four volumes of more than 600 prints (1726-35) after all the paintings and drawings known by the master. Boucher was one of the printmakers who worked on the project, which enabled him to study Watteau's draftsmanship, one of the most significant lessons of his early career.
date
1726–35
rights
CC0
rightsUri
CC0
language
en
wikidata
Q60820011
creators
1888
14067
genreSpecific
Print
imageCount
1
source
import
dimensionsRaw
Platemark: 32.3 x 21.6 cm (12 11/16 x 8 1/2 in.)
cul
France, 18th century
accession
1927.314
Source extras
tec
etching
tombstone
Woman Standing, 1726–35. François Boucher (French, 1703–1770), after Jean-Antoine Watteau (French, 1684–1721). Etching; platemark: 32.3 x 21.6 cm (12 11/16 x 8 1/2 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1927.314
collection
PR - Etching
creditline
Gift of The Print Club of Cleveland
updatedAt
2026-05-29 05:50:00.669000
sourceId
109157
dept
Prints
coll
PR - Etching
med
etching
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
7d8718d51748fecc