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Source Description
This series is one of many that Odilon Redon created throughout his career. Nearly two-thirds of his lithographs took the form of portfolios—prints connected conceptually by a theme or narrative and physically by a folder or binding. Such works were often dispersed over time, but Cleveland was fortunate to acquire several complete sets with their original covers during the 1920s. Dating from Redon’s early experimentation with lithography, <em>Homage to Goya</em> was intended as a tribute to 18th-century Spanish master Francisco de Goya, whose interest in dreams and the subconscious influenced Redon. The six seemingly unrelated images celebrate Goya’s ambiguity and collectively suggest the introspection and isolation of artistic practice.
Scholar Source Context
Document identity
localId
109192
label
The Marsh Flower, a Sad Human Head
core
obj
dtoType
print
pageCount
1
Source metadata
id
109192
contentType
print
title
The Marsh Flower, a Sad Human Head
description
This series is one of many that Odilon Redon created throughout his career. Nearly two-thirds of his lithographs took the form of portfolios—prints connected conceptually by a theme or narrative and physically by a folder or binding. Such works were often dispersed over time, but Cleveland was fortunate to acquire several complete sets with their original covers during the 1920s. Dating from Redon’s early experimentation with lithography, <em>Homage to Goya</em> was intended as a tribute to 18th-century Spanish master Francisco de Goya, whose interest in dreams and the subconscious influenced Redon. The six seemingly unrelated images celebrate Goya’s ambiguity and collectively suggest the introspection and isolation of artistic practice.
date
1885
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80001381
creators
1748
68492
genreSpecific
Print
imageCount
1
source
import
dimensionsRaw
Image: 27.5 x 20.5 cm (10 13/16 x 8 1/16 in.)
cul
France, 19th century
accession
1927.344.2
Source extras
tec
lithograph on China paper laid on wove paper
tombstone
Homage to Goya: The Marsh Flower, a Sad Human Head, 1885. Odilon Redon (French, 1840–1916), printed by Lemercier & Cie.. Lithograph on China paper laid on wove paper; image: 27.5 x 20.5 cm (10 13/16 x 8 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1927.344.2
series
Homage to Goya
supportMaterials
description
China paper
description
wove paper
collection
PR - Lithograph
stateOfTheWork
I/I
editionOfTheWork
first edition (edition of 50)
inscriptions
inscription
printed above image at center: Planche II.; below image at center: La FLEUR du MARÉCAGE une tête humaine et triste.
formerAccessionNumbers
1927.345
didYouKnow
This portfolio was published in an edition of 50, one of which Redon sent to poet Stéphane Mallarmé soon after Redon became a frequent participant in a literary salon held regularly at Mallarmé's home.
citations
citation
Lemonedes, Heather. "Bits of Rainbows: Odilon Redon's <em>Vase of Flowers</em> and the power of enlightenment." <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 1 (January/February 2016): 5-7.
page_number
Reproduced: p. 7; Mentioned: p. 5, 7
citation
Voigt, Kirsten Claudia, Leonie Beiersdorf, and Pia Müller-Tamm. <em>Inventing nature: Pflanzen in der Kunst.</em> Karlsruhe: Staatliche Kunsthalle Karlsruhe; Köln: Snoeck, 2021.
page_number
Mentioned and Reproduced: P. 70-71, abb. 3
citation
Basch, Sophie. <em>Le Japonisme, Un Art Français</em>. Œuvres En Sociétés. Dijon: Les Presses du réel, 2022.
page_number
Mentioned and reproduced: P. 157-159, fig. 83
catalogueRaisonne
Mellerio 55
creditline
Gift of The Print Club of Cleveland
updatedAt
2026-05-29 05:50:08.552000
sourceId
109192
dept
Prints
coll
PR - Lithograph
med
lithograph on China paper laid on wove paper
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
b97cc7800e22a68f