Liber Studiorum: Devil's Bridge, Cardiganshire
1838
Source image
https://clevelandart.org/art/1928.645
Cotman followed in the footsteps of Thomas Gainsborough and also worked in soft-ground etching (see Gainsborough’s Wooded Landscape with Cows in this gallery). Thirty-nine of Cotman’s landscape etchings were published as the Liber Studiorum in 1838. This composition was based...
Drawing
| id |
id
110042
|
|---|---|
| contentType |
contentType
print
|
| citation |
citation
|
| rights |
rights
CC0
|
| rightsUri |
rightsUri
CC0
|
| language |
language
en
|
| wikidata |
wikidata
[
"Q80002366"
]
|
| source |
source
import
|
| accession |
accession
1928.645
|
Source image fields (4)
| thumbnailUrl | https://openaccess-cdn.clevelandart.org/1928.645/1928.645_web.jpg |
|---|---|
| largeImageUrl | https://openaccess-cdn.clevelandart.org/1928.645/1928.645_web.jpg |
| iiifBase | https://openaccess-cdn.clevelandart.org/1928.645/1928.645_web.jpg |
| imageCount | 1 |
Terms
Culture
England, 19th century
Technique
Soft ground etching
Medium
Soft ground etching
Genre
Print
Department
Prints
Relations
belongs_to