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Filippo Morghen’s set of 10 etchings is outstanding among visual narratives of imaginary voyages to the moon, both visual and literary, that intrigued 18th-century European audiences. A title page and nine plates depict the imagined lives and economy of moon dwellers. These include modes of transport such as large birds and sailboats propelled by giant bellows, enormous scissors for capturing wild beasts (including an oversized rat), and the use of giant pumpkins as fishing boats and as dwellings. Representations of the moon dwellers are based on inaccurate and imaginary European interpretations of Asian, Ottoman, and Native American cultures—called chinoiserie and<em> turquerie</em>—that permeated the decorative and visual arts of the period.