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Source Description

In Luba-style art, an object's beauty affects how well it works. While bowl-bearing figures had many possible uses, a royal diviner likely used this well-carved image of a woman carrying a bowl in rituals. Dusty traces of <em>mpemba</em> (white chalk) fleck the shining exterior and the bowl's interior, showing it once held this sacred powder. Diamond-shaped scarification marks at her waist, chest, and back add to her beauty. Her hair is carved into the cascading layered hairstyle worn in the Luba region at the turn of the twentieth century. Strands of imported glass beads encircle her waist and neck, and dangle from her hair. The alternating white and blue beads may symbolize the moon and Mbidi Kiluwe, a culture hero linked to royal practice and smithing. While much Luba-style art depicts women--who are societally important--men created and owned the majority of such works.

Scholar Source Context

Document identity
localId
168751
label
Female Bowl-Bearing Figure
core
obj
dtoType
sculpture
pageCount
1
Source metadata
id
168751
contentType
sculpture
title
Female Bowl-Bearing Figure
description
In Luba-style art, an object's beauty affects how well it works. While bowl-bearing figures had many possible uses, a royal diviner likely used this well-carved image of a woman carrying a bowl in rituals. Dusty traces of <em>mpemba</em> (white chalk) fleck the shining exterior and the bowl's interior, showing it once held this sacred powder. Diamond-shaped scarification marks at her waist, chest, and back add to her beauty. Her hair is carved into the cascading layered hairstyle worn in the Luba region at the turn of the twentieth century. Strands of imported glass beads encircle her waist and neck, and dangle from her hair. The alternating white and blue beads may symbolize the moon and Mbidi Kiluwe, a culture hero linked to royal practice and smithing. While much Luba-style art depicts women--who are societally important--men created and owned the majority of such works.
date
late 1800s-early 1900s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q80075129
genreSpecific
Sculpture
imageCount
1
source
import
dimensionsRaw
Overall: 40.8 x 16.1 x 27.3 cm (16 1/16 x 6 5/16 x 10 3/4 in.)
cul
Africa, Central Africa, Democratic Republic of Congo, Luba-style carver
accession
2010.454.a
Source extras
tec
Wood, glass beads, upholstery studs, plant fiber, and iron
tombstone
Female Bowl-Bearing Figure, late 1800s-early 1900s. Africa, Central Africa, Democratic Republic of Congo, Luba-style carver. Wood, glass beads, upholstery studs, plant fiber, and iron; overall: 40.8 x 16.1 x 27.3 cm (16 1/16 x 6 5/16 x 10 3/4 in.). The Cleveland Museum of Art, René and Odette Delenne Collection, Leonard C. Hanna Jr. Fund, 2010.454.a
collection
African Art
didYouKnow
Symbolic of anvils, the round metal tacks decorating the figure's hair "pin" spirits and their secrets within it. They are at the hairline and each of the four hair cascades (the bottommost is now gone).
citations
citation
Antwerpen, Stad Stedelijke Feestzaal, and Antwerpsche Propagandaweken. <em>Tentoonstelling van Kongo-Kunst,</em> cat. 669. Exh. Cat. Antwerp: Antwerpsche Propagandaweken, December 24, 1937-January 16, 1938.
page_number
Mentioned: cat. 669.
citation
Olbrechts, Frans M. <em>Plastiek van Kongo.</em> Antwerp/Brussels/Ghent/Leuven: Standaards-Boekhandel, 1946.
page_number
Reproduced: pl. 108
citation
Olbrechets, Frans M., Constantine Petridis, and Daniel P. Biebuyck. <em>Frans M. Olbrechts (1899-1958): In Search of Art in Africa</em>, cat. 53. Exh. Cat. Antwerp: Ethnographic Museum, December 7, 2001-March 31, 2002.
page_number
Reproduced and mentioned: [p. 165] cat. 53
citation
Petridis, Constantine, et al. <em>Fragments of the Invisible: The René and Odette Delenne Collection of Congo Sculpture.</em> Cleveland, OH: Cleveland Museum of Art. Milan: 5 Continents Editions, 2013, 30, 79, 82-83, 108.
page_number
Mentioned: pp. 30, 79-80, 108, 114 ; reproduced: p. 82-83, cat. 26
citation
Petridis, Constantine. "Inscriptions: Establishing a Pre-1937 Acquisition Date for 1,525 Central African Sculptures." <em>Tribal: The Magazine of Tribal Art</em> XXIV: 4, no. 85 (Autumn, 2017): 127, 130-131.
page_number
p. 127, p. 130 color repr., p. 131 sketch
citation
Petridis, Constantine. "René and Odette Delenne." In <em>Tribal Art</em> XV-4, no. 61 (Autumn 2011): 119.
page_number
Reproduced: p. 119, fig. 4; mentioned: p. 122
creditline
René and Odette Delenne Collection, Leonard C. Hanna Jr. Fund
updatedAt
2026-05-29 08:40:42.013000
sourceId
168751
dept
African Art
coll
African Art
med
Wood, glass beads, upholstery studs, plant fiber, and iron
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
346a1bb6603587b3