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This intricate style of binding from the 16th and 17th centuries, composed of a central oval surrounded by dense gold tooling, is known as the "fanfare" style. The binding, created by Léon Gruel, is an exact copy of the binding of Le Nouveau Testament de Nostre Seigneur Jesus Christ (Walters 92.182). Gruel was proficient at binding in antiquarian styles, but he also branched out in modern directions.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 402025c2f3498205
- Size
- unknown
Document data
- ID
- 89846
- Core
- obj
- Type
- book
DTO data
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"contentType": "book",
"stage": "normalized",
"title": "Catalogue of an Exhibition of the Text of Shakespeare's Plays",
"description": "This intricate style of binding from the 16th and 17th centuries, composed of a central oval surrounded by dense gold tooling, is known as the \"fanfare\" style. The binding, created by Léon Gruel, is an exact copy of the binding of Le Nouveau Testament de Nostre Seigneur Jesus Christ (Walters 92.182). Gruel was proficient at binding in antiquarian styles, but he also branched out in modern directions.",
"provenance": "Acquired by Henry Walters, Baltimore, before 1931; Walters Art Museum, 1931, by bequest.",
"date": "1916",
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}
Context sent to Scholar
Document identity
{
"localId": "89846",
"label": "Catalogue of an Exhibition of the Text of Shakespeare's Plays",
"core": "obj",
"dtoType": "book",
"citationUrl": "https://purl.thewalters.org/art/92.1269"
}
Document source metadata
{
"id": "89846",
"sourceUrl": "https://purl.thewalters.org/art/92.1269",
"contentType": "book",
"stage": "normalized",
"title": "Catalogue of an Exhibition of the Text of Shakespeare's Plays",
"description": "This intricate style of binding from the 16th and 17th centuries, composed of a central oval surrounded by dense gold tooling, is known as the \"fanfare\" style. The binding, created by Léon Gruel, is an exact copy of the binding of Le Nouveau Testament de Nostre Seigneur Jesus Christ (Walters 92.182). Gruel was proficient at binding in antiquarian styles, but he also branched out in modern directions.",
"provenance": "Acquired by Henry Walters, Baltimore, before 1931; Walters Art Museum, 1931, by bequest.",
"date": "1916",
"citationUrl": "https://purl.thewalters.org/art/92.1269",
"rightsUri": "CC0",
"language": "en",
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Document source extras
{
"dimensions": [
{
"units": "cm",
"width": 23.3,
"height": 15.7,
"depth": 2.6
}
],
"med": "ink on paper bound between boards covered with goatskin and gold",
"cul": null,
"creator_ids": [
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],
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"exhibition_ids": [
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"dimensionsRaw": "H: 9 3/16 × W: 6 3/16 × D: 1 in. (23.34 × 15.72 × 2.6 cm)"
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Page context
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"url": "https://art.thewalters.org/images/raw/PS1_92.1269_UpperCoverCc_DD_T13.jpg",
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