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Source Description
Baldassare Vandergoes(Baltasar van der Goes) was a wealthy merchant who moved from the Netherlands to the port city of Ancona on the eastern coast of Italy. The commanding view of the port, the seat of his business, is the backdrop for this imposing full-length portrait. His elegant but assertive stance with his left hand on his hip, as well as his wife Margherita's bejeweled attire in the companion portrait (Walters 37.654), further convey status. Luigi Primo (also known as Louis Cousin) from Brussels was one of the many Flemish painters who sought the patronage of wealthy Italians, first in papal Rome before coming to Ancona. although he was also a painter of religious paintings, Flemings in Italy were famous for their ability to imitate reality, as in portraiture, so it is hardly surprising that Vandergoes should have sought the services of his countrynman. For the identification of the portrait as of Baldassare Vandergoes see Michele Polverari, Per amor di Margherita: Due fiamminghi nell'Ancona del Seicento: il mercante Baldassarre Vandergoes e il pittore Luigi Primo da Bruxelles, Ancona, il lavoro editorial, 2014
Scholar Source Context
Document identity
localId
10446
label
Portrait of Baldassare Vandergoes before the Port of Ancona
core
obj
dtoType
drawing
citationUrl
pageCount
3
Source metadata
id
10446
sourceUrl
contentType
drawing
stage
normalized
title
Portrait of Baldassare Vandergoes before the Port of Ancona
description
Baldassare Vandergoes(Baltasar van der Goes) was a wealthy merchant who moved from the Netherlands to the port city of Ancona on the eastern coast of Italy. The commanding view of the port, the seat of his business, is the backdrop for this imposing full-length portrait. His elegant but assertive stance with his left hand on his hip, as well as his wife Margherita's bejeweled attire in the companion portrait (Walters 37.654), further convey status. Luigi Primo (also known as Louis Cousin) from Brussels was one of the many Flemish painters who sought the patronage of wealthy Italians, first in papal Rome before coming to Ancona. although he was also a painter of religious paintings, Flemings in Italy were famous for their ability to imitate reality, as in portraiture, so it is hardly surprising that Vandergoes should have sought the services of his countrynman. For the identification of the portrait as of Baldassare Vandergoes see Michele Polverari, Per amor di Margherita: Due fiamminghi nell'Ancona del Seicento: il mercante Baldassarre Vandergoes e il pittore Luigi Primo da Bruxelles, Ancona, il lavoro editorial, 2014
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 547, as attributed to van Dyck]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1655-1660 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
portraits
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
215
height
144.5
dimensionsRaw
Painted surface H: 84 5/8 x W: 56 7/8 in. (215 x 144.5 cm)
Source extras
RelatedObjects
23993
med
oil on canvas
creator_ids
15253
collection_ids
BAR
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
a95239f56d45e4da
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
2f928561fd00fc42
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
58ea995e6544f504
hasOcr
no
hasDescription
no