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The 17th-century preference for naturalism led to the popularity of scenes of everyday life filled with mundane actions, such as people talking and drinking. Codazzi specialized in painting outdoor settings with villages or ancient ruins but not in painting figures. In this courtyard scene, Micco Spadaro, with whom Codazzi collaborated, painted the figures, as that was his specialty.The cracked plaster of the walls of the inn suggests the passage of time, as does the presence of the majestic, ancient Roman portico on the right.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 340, p. 464.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- e38232145719c447
- Size
- unknown
Document data
- ID
- 10935
- Core
- obj
- Type
- drawing
DTO data
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"contentType": "drawing",
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"title": "Courtyard of an Inn with Classical Ruins",
"description": "The 17th-century preference for naturalism led to the popularity of scenes of everyday life filled with mundane actions, such as people talking and drinking. Codazzi specialized in painting outdoor settings with villages or ancient ruins but not in painting figures. In this courtyard scene, Micco Spadaro, with whom Codazzi collaborated, painted the figures, as that was his specialty.The cracked plaster of the walls of the inn suggests the passage of time, as does the presence of the majestic, ancient Roman portico on the right.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 340, p. 464.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 388, as Charles Vercelli]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca.1621-1647 (Baroque)",
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Context sent to Scholar
Document identity
{
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"label": "Courtyard of an Inn with Classical Ruins",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/37.1851"
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Document source metadata
{
"id": "10935",
"sourceUrl": "https://purl.thewalters.org/art/37.1851",
"contentType": "drawing",
"stage": "normalized",
"title": "Courtyard of an Inn with Classical Ruins",
"description": "The 17th-century preference for naturalism led to the popularity of scenes of everyday life filled with mundane actions, such as people talking and drinking. Codazzi specialized in painting outdoor settings with villages or ancient ruins but not in painting figures. In this courtyard scene, Micco Spadaro, with whom Codazzi collaborated, painted the figures, as that was his specialty.The cracked plaster of the walls of the inn suggests the passage of time, as does the presence of the majestic, ancient Roman portico on the right.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 340, p. 464.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 388, as Charles Vercelli]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca.1621-1647 (Baroque)",
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Document source extras
{
"inscriptions": [
"[Signature] Monogram on the stone in the foreground",
"near the bush: V C"
],
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Page context
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