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Millet's image of a shepherdess knitting on the plain of Chailly was modeled after his daughter Louise and was one of his most critically successful works when shown at the 1864 Salon. This is one of four pastels versions after the painting (now in the Musée d'Orsay, Paris). His dynamic use of pastels masterfully evokes the sense of light breaking through the clouds.

Page data

Page
2
Source index
0
Type
photo
Media ID
683358b967df6f7c
Size
unknown

Document data

ID
11004
Core
obj
Type
drawing
DTO data
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    "id": "11004",
    "sourceUrl": "https://purl.thewalters.org/art/37.906",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Shepherdess and Her Flock",
    "description": "Millet's image of a shepherdess knitting on the plain of Chailly was modeled after his daughter Louise and was one of his most critically successful works when shown at the 1864 Salon. This is one of four pastels versions after the painting (now in the Musée d'Orsay, Paris). His dynamic use of pastels masterfully evokes the sense of light breaking through the clouds.",
    "provenance": "Charles Tillot Sale, Hôtel Drouot, Paris, May 14, 1887, lot 29; purchased by William T. Walters (through George A. Lucas as agent), Baltimore, May 14, 1887 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 649.",
    "date": "1862-67",
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    "dimensionsRaw": "15 1/2 x 20 in. (39.4 x 50.8 cm)"
}

Context sent to Scholar

Document identity
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    "localId": "11004",
    "label": "The Shepherdess and Her Flock",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.906"
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Document source metadata
{
    "id": "11004",
    "sourceUrl": "https://purl.thewalters.org/art/37.906",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Shepherdess and Her Flock",
    "description": "Millet's image of a shepherdess knitting on the plain of Chailly was modeled after his daughter Louise and was one of his most critically successful works when shown at the 1864 Salon. This is one of four pastels versions after the painting (now in the Musée d'Orsay, Paris). His dynamic use of pastels masterfully evokes the sense of light breaking through the clouds.",
    "provenance": "Charles Tillot Sale, Hôtel Drouot, Paris, May 14, 1887, lot 29; purchased by William T. Walters (through George A. Lucas as agent), Baltimore, May 14, 1887 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 649.",
    "date": "1862-67",
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Document source extras
{
    "inscriptions": [
        "[Signature] Lower right",
        "in black pastel: J.F. Millet"
    ],
    "med": "pastel and charcoal with black pen and ink on dark beige, moderately thick, slightly textured wove paper",
    "creator_ids": [
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        "EAN"
    ],
    "exhibition_ids": [
        "366",
        "438",
        "432",
        "2069",
        "631"
    ]
}
Page context
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