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From 1848-71, Pasini resided in Paris and found inspiration in the atmospheric North African views of Eugène Fromentin. In 1855, he accompanied a French diplomatic expedition to Iran and also stopped in Turkey and Egypt. He returned to the Near East on a number of occasions, once traveling with fellow artist Jean-Léon Gérôme. In this courtyard scene, Pasini has captured the subtle effects of the subdued light on the stucco walls, the tiles, and the lattice window.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 0683bc49517e0562
- Size
- unknown
Document data
- ID
- 11281
- Core
- obj
- Type
- drawing
DTO data
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"title": "Damascus",
"description": "From 1848-71, Pasini resided in Paris and found inspiration in the atmospheric North African views of Eugène Fromentin. In 1855, he accompanied a French diplomatic expedition to Iran and also stopped in Turkey and Egypt. He returned to the Near East on a number of occasions, once traveling with fellow artist Jean-Léon Gérôme. In this courtyard scene, Pasini has captured the subtle effects of the subdued light on the stucco walls, the tiles, and the lattice window.",
"provenance": "Purchased by William T. Walters (through George A. Lucas as agent), Baltimore, February 23, 1881 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 515.",
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"dimensionsRaw": "H: 16 3/4 x W: 12 13/16 in. (42.6 x 32.6 cm); Framed H: 28 3/16 x W: 24 5/16 in. (71.6 x 61.75 cm)"
}
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Document identity
{
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"label": "Damascus",
"core": "obj",
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Document source metadata
{
"id": "11281",
"sourceUrl": "https://purl.thewalters.org/art/37.193",
"contentType": "drawing",
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"title": "Damascus",
"description": "From 1848-71, Pasini resided in Paris and found inspiration in the atmospheric North African views of Eugène Fromentin. In 1855, he accompanied a French diplomatic expedition to Iran and also stopped in Turkey and Egypt. He returned to the Near East on a number of occasions, once traveling with fellow artist Jean-Léon Gérôme. In this courtyard scene, Pasini has captured the subtle effects of the subdued light on the stucco walls, the tiles, and the lattice window.",
"provenance": "Purchased by William T. Walters (through George A. Lucas as agent), Baltimore, February 23, 1881 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 515.",
"date": "1880",
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Document source extras
{
"inscriptions": "[Signature] At lower left: A Pasini; [Date] At lower left: 1880",
"med": "oil on fabric",
"creator_ids": [
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],
"collection_ids": [
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Page context
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