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Barye has returned to a theme that he first explored in 1834-1839, when he modeled this subject as one of four animal combats that stood at the foot of the "Tiger Hunt" (Walters 27.176) in the duke of Orléans's table centerpiece. In this unusually large watercolor, the setting is the Forest of Fontainebleau during daylight.

Page data

Page
1
Source index
0
Type
photo
Media ID
26ee2bf6debc6f47
Size
unknown

Document data

ID
11446
Core
obj
Type
drawing
DTO data
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    "id": "11446",
    "sourceUrl": "https://purl.thewalters.org/art/37.815",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Python Crushing a Gnu",
    "description": "Barye has returned to a theme that he first explored in 1834-1839, when he modeled this subject as one of four animal combats that stood at the foot of the \"Tiger Hunt\"  (Walters 27.176) in the duke of Orléans's table centerpiece. In this unusually large watercolor, the setting is the Forest of Fontainebleau during daylight.",
    "provenance": "William T. Walters, Baltimore, prior to 1889 [mode of acquisition unknown];  Henry Walters, Baltimore, 1894, by inheritance;  Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1850s-1860s",
    "citationUrl": "https://purl.thewalters.org/art/37.815",
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    "language": "en",
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        }
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    "dimensionsRaw": "H: 12 7/8 x W: 19 5/8 in. (32.7 x 49.8 cm)"
}

Context sent to Scholar

Document identity
{
    "localId": "11446",
    "label": "Python Crushing a Gnu",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.815"
}
Document source metadata
{
    "id": "11446",
    "sourceUrl": "https://purl.thewalters.org/art/37.815",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Python Crushing a Gnu",
    "description": "Barye has returned to a theme that he first explored in 1834-1839, when he modeled this subject as one of four animal combats that stood at the foot of the \"Tiger Hunt\"  (Walters 27.176) in the duke of Orléans's table centerpiece. In this unusually large watercolor, the setting is the Forest of Fontainebleau during daylight.",
    "provenance": "William T. Walters, Baltimore, prior to 1889 [mode of acquisition unknown];  Henry Walters, Baltimore, 1894, by inheritance;  Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1850s-1860s",
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    "rightsUri": "CC0",
    "language": "en",
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    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.815_Fnt_TR_T94II.jpg",
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        }
    ],
    "dimensionsRaw": "H: 12 7/8 x W: 19 5/8 in. (32.7 x 49.8 cm)"
}
Document source extras
{
    "inscriptions": [
        "[Watermark] J Whatman Turkey Mill;  [Transcription] Inscribed in graphite",
        "right of center on verso: l"
    ],
    "med": "watercolor with gum heightening on moderately textured, moderately thick, cream wove paper",
    "creator_ids": [
        "6082"
    ],
    "collection_ids": [
        "EAN"
    ],
    "exhibition_ids": [
        "1956",
        "2069",
        "438",
        "190",
        "631",
        "872",
        "906",
        "1993",
        "432"
    ]
}
Page context
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