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Against a shimmering gold background patterned with a elegant floral motif, the Madonna embraces the Infant Christ and presses her cheek against his. She gently wraps her veil around the Child’s nude body as he turns around and looks out at the viewer. With this action, the Christ Child seems to ask the viewer to pray, an appropriate request given the painting’s original function as the focus for private devotion in a domestic interior. The picture, which retains its original frame, was painted by Cosimo Rosselli around 1480, shortly before the artist was called to Rome to contribute frescoes on the side walls of the Sistine Chapel in the Papal Apartments. The use of a flat gold background was popular during the 14th and early 15th century but relatively rare by the 1480s, suggesting the painting may have been made for a patron with more conservative tastes.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 8d6b76ca791ac130
- Size
- unknown
Document data
- ID
- 11995
- Core
- obj
- Type
- drawing
DTO data
{
"id": "11995",
"sourceUrl": "https://purl.thewalters.org/art/37.518",
"contentType": "drawing",
"stage": "normalized",
"title": "Madonna and Child",
"description": "Against a shimmering gold background patterned with a elegant floral motif, the Madonna embraces the Infant Christ and presses her cheek against his. She gently wraps her veil around the Child’s nude body as he turns around and looks out at the viewer. With this action, the Christ Child seems to ask the viewer to pray, an appropriate request given the painting’s original function as the focus for private devotion in a domestic interior. The picture, which retains its original frame, was painted by Cosimo Rosselli around 1480, shortly before the artist was called to Rome to contribute frescoes on the side walls of the Sistine Chapel in the Papal Apartments. The use of a flat gold background was popular during the 14th and early 15th century but relatively rare by the 1480s, suggesting the painting may have been made for a patron with more conservative tastes.",
"provenance": "Bernard Berenson, Settignano [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1911 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1480 (Renaissance)",
"citationUrl": "https://purl.thewalters.org/art/37.518",
"rightsUri": "CC0",
"language": "en",
"genreSpecific": [
"Painting & Drawing",
"panel paintings"
],
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"largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.518_Fnt_TR_T00II.jpg",
"imageCount": 1,
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"source": "import",
"dimensions": [
{
"units": "cm",
"width": 49,
"height": 35.2,
"depth": 3.8
}
],
"dimensionsRaw": "Panel H: 19 5/16 x W: 13 7/8 x D: 1 1/2 in. (49 x 35.2 x 3.8 cm); Painted surface H: 17 x W: 11 1/2 in. (43.2 x 29.2 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "11995",
"label": "Madonna and Child",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.518"
}
Document source metadata
{
"id": "11995",
"sourceUrl": "https://purl.thewalters.org/art/37.518",
"contentType": "drawing",
"stage": "normalized",
"title": "Madonna and Child",
"description": "Against a shimmering gold background patterned with a elegant floral motif, the Madonna embraces the Infant Christ and presses her cheek against his. She gently wraps her veil around the Child’s nude body as he turns around and looks out at the viewer. With this action, the Christ Child seems to ask the viewer to pray, an appropriate request given the painting’s original function as the focus for private devotion in a domestic interior. The picture, which retains its original frame, was painted by Cosimo Rosselli around 1480, shortly before the artist was called to Rome to contribute frescoes on the side walls of the Sistine Chapel in the Papal Apartments. The use of a flat gold background was popular during the 14th and early 15th century but relatively rare by the 1480s, suggesting the painting may have been made for a patron with more conservative tastes.",
"provenance": "Bernard Berenson, Settignano [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1911 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1480 (Renaissance)",
"citationUrl": "https://purl.thewalters.org/art/37.518",
"rightsUri": "CC0",
"language": "en",
"genreSpecific": [
"Painting & Drawing",
"panel paintings"
],
"iiifBase": "https://art.thewalters.org/images/art/PL1_37.518_Fnt_TR_T00II.jpg",
"thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.518_Fnt_TR_T00II.jpg",
"largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.518_Fnt_TR_T00II.jpg",
"imageCount": 1,
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"source": "import",
"dimensions": [
{
"units": "cm",
"width": 49,
"height": 35.2,
"depth": 3.8
}
],
"dimensionsRaw": "Panel H: 19 5/16 x W: 13 7/8 x D: 1 1/2 in. (49 x 35.2 x 3.8 cm); Painted surface H: 17 x W: 11 1/2 in. (43.2 x 29.2 cm)"
}
Document source extras
{
"inscriptions": "[Transcription] On the Virgin's halo: AVE. MARIA.GRAT[IA.PLENA] (translation: \"\"Hail Mary Full of Grace\"\"); [Transcription] On Christ's halo: IESV[S] (translation: \"\"Jesus\"\").",
"med": "tempera and gold leaf on wood panel",
"creator_ids": [
"1976"
],
"collection_ids": [
"REN"
],
"exhibition_ids": []
}
Page context
{
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"url": "https://art.thewalters.org/images/raw/PL1_37.518_Fnt_TR_T00II.jpg",
"mediaId": "8d6b76ca791ac130"
}