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In 1224, on the mountainside of La Verna in the Apennine Mountains of Italy, Saint Francis of Assisi was meditating on the sufferings of Christ when a seraph (a six-winged angel of the highest order) appeared to him in a vision of light. Afterwards, he found his hands, feet, and side marked with the wounds of Christ—the stigmata. The miracle is shown here as witnessed by Saint Francis's companion, Brother Leo. To remind the viewer that Saint Francis was the founder of the Franciscan Order, the artist has transformed his rustic chapel into a grand basilica. Nevertheless, the most striking feature of the setting is the grouping of fantastical rock formations that seem to grow out of the ground. They are found in the compositions of several artists who worked in Padua, where Zoppo trained, and Venice. See for example the similar rock formations in The Departure of Queen Helen and her Party for Cythera (37.1178) painted in Venice by Dario di Giovanni who, like Zoppo, trained with the Paduan master Francesco Squarcione.This panel is part of a large altarpiece that Marco Zoppo executed in Venice in 1471 for a church in the city of Pesaro.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- b272d33bcbd1efcc
- Size
- unknown
Document data
- ID
- 1291
- Core
- obj
- Type
- drawing
DTO data
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"description": "In 1224, on the mountainside of La Verna in the Apennine Mountains of Italy, Saint Francis of Assisi was meditating on the sufferings of Christ when a seraph (a six-winged angel of the highest order) appeared to him in a vision of light. Afterwards, he found his hands, feet, and side marked with the wounds of Christ—the stigmata. The miracle is shown here as witnessed by Saint Francis's companion, Brother Leo. To remind the viewer that Saint Francis was the founder of the Franciscan Order, the artist has transformed his rustic chapel into a grand basilica. Nevertheless, the most striking feature of the setting is the grouping of fantastical rock formations that seem to grow out of the ground. They are found in the compositions of several artists who worked in Padua, where Zoppo trained, and Venice. See for example the similar rock formations in The Departure of Queen Helen and her Party for Cythera (37.1178) painted in Venice by Dario di Giovanni who, like Zoppo, trained with the Paduan master Francesco Squarcione.This panel is part of a large altarpiece that Marco Zoppo executed in Venice in 1471 for a church in the city of Pesaro.",
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Context sent to Scholar
Document identity
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Document source metadata
{
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"contentType": "drawing",
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"title": "Saint Francis Receiving the Stigmata",
"description": "In 1224, on the mountainside of La Verna in the Apennine Mountains of Italy, Saint Francis of Assisi was meditating on the sufferings of Christ when a seraph (a six-winged angel of the highest order) appeared to him in a vision of light. Afterwards, he found his hands, feet, and side marked with the wounds of Christ—the stigmata. The miracle is shown here as witnessed by Saint Francis's companion, Brother Leo. To remind the viewer that Saint Francis was the founder of the Franciscan Order, the artist has transformed his rustic chapel into a grand basilica. Nevertheless, the most striking feature of the setting is the grouping of fantastical rock formations that seem to grow out of the ground. They are found in the compositions of several artists who worked in Padua, where Zoppo trained, and Venice. See for example the similar rock formations in The Departure of Queen Helen and her Party for Cythera (37.1178) painted in Venice by Dario di Giovanni who, like Zoppo, trained with the Paduan master Francesco Squarcione.This panel is part of a large altarpiece that Marco Zoppo executed in Venice in 1471 for a church in the city of Pesaro.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 339]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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Page context
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