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This small painting, a rather free copy of Watteau's "Fêtes Vénitiennes," of 1716-18, in the National Gallery of Scotland, Edinburgh, has traditionally been identified as a work of N. Diaz. It differs from the original painting principally in the pose of the fountain statue in the background. Since Watteau's picture left France in 1777, when it was acquired by Allan Ramsay at the Random de Boisset Sale, the copyist, were he French, would have been obliged to work from an engraving or from a painted replica. The "Fêtes Vénitiennes," was copied by Crépy the Younger in an edition for the dealer, Gersaint, in 1725, and it was engraved in reverse in 1732 by Laurent Cars for Jean de Jullienne, the owner.The question of authorship for this copy is complicated by the nature of the painting's ground: a circular piece of canvas mounted on strips of fabric with additional cloth added in the spandrels. Upon examination the painted surface of the central patch and that of the spandrels do not appear contemporaneous. Furthermore, the name in the lower left corner does not conform orthographically to Diaz's usual signatures.Although Diaz was a prolific painter who occasionally treated rococo themes, there does not appear to be sufficient evidence to confirm the attribution of this painting to Diaz.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- d82633d1381eea39
- Size
- unknown
Document data
- ID
- 13032
- Core
- obj
- Type
- drawing
DTO data
{
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"sourceUrl": "https://purl.thewalters.org/art/37.177",
"contentType": "drawing",
"stage": "normalized",
"title": "Fête Galante",
"description": "This small painting, a rather free copy of Watteau's \"Fêtes Vénitiennes,\" of 1716-18, in the National Gallery of Scotland, Edinburgh, has traditionally been identified as a work of N. Diaz. It differs from the original painting principally in the pose of the fountain statue in the background. Since Watteau's picture left France in 1777, when it was acquired by Allan Ramsay at the Random de Boisset Sale, the copyist, were he French, would have been obliged to work from an engraving or from a painted replica. The \"Fêtes Vénitiennes,\" was copied by Crépy the Younger in an edition for the dealer, Gersaint, in 1725, and it was engraved in reverse in 1732 by Laurent Cars for Jean de Jullienne, the owner.The question of authorship for this copy is complicated by the nature of the painting's ground: a circular piece of canvas mounted on strips of fabric with additional cloth added in the spandrels. Upon examination the painted surface of the central patch and that of the spandrels do not appear contemporaneous. Furthermore, the name in the lower left corner does not conform orthographically to Diaz's usual signatures.Although Diaz was a prolific painter who occasionally treated rococo themes, there does not appear to be sufficient evidence to confirm the attribution of this painting to Diaz.",
"provenance": "Henry Walters, Baltimore, between 1903 and 1909 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "19th century",
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"rightsUri": "CC0",
"language": "en",
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"oil paintings (visual works)"
],
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"largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.177_Fnt_BW_H54.jpg",
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"source": "import",
"dimensions": [
{
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],
"dimensionsRaw": "H: 7 1/2 x W: 7 1/2 in. (19 x 19 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "13032",
"label": "Fête Galante",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.177"
}
Document source metadata
{
"id": "13032",
"sourceUrl": "https://purl.thewalters.org/art/37.177",
"contentType": "drawing",
"stage": "normalized",
"title": "Fête Galante",
"description": "This small painting, a rather free copy of Watteau's \"Fêtes Vénitiennes,\" of 1716-18, in the National Gallery of Scotland, Edinburgh, has traditionally been identified as a work of N. Diaz. It differs from the original painting principally in the pose of the fountain statue in the background. Since Watteau's picture left France in 1777, when it was acquired by Allan Ramsay at the Random de Boisset Sale, the copyist, were he French, would have been obliged to work from an engraving or from a painted replica. The \"Fêtes Vénitiennes,\" was copied by Crépy the Younger in an edition for the dealer, Gersaint, in 1725, and it was engraved in reverse in 1732 by Laurent Cars for Jean de Jullienne, the owner.The question of authorship for this copy is complicated by the nature of the painting's ground: a circular piece of canvas mounted on strips of fabric with additional cloth added in the spandrels. Upon examination the painted surface of the central patch and that of the spandrels do not appear contemporaneous. Furthermore, the name in the lower left corner does not conform orthographically to Diaz's usual signatures.Although Diaz was a prolific painter who occasionally treated rococo themes, there does not appear to be sufficient evidence to confirm the attribution of this painting to Diaz.",
"provenance": "Henry Walters, Baltimore, between 1903 and 1909 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "19th century",
"citationUrl": "https://purl.thewalters.org/art/37.177",
"rightsUri": "CC0",
"language": "en",
"genreSpecific": [
"Painting & Drawing",
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],
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"thumbnailUrl": "https://art.thewalters.org/images/art/PL7_37.177_Fnt_BW_H54.jpg",
"largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.177_Fnt_BW_H54.jpg",
"imageCount": 2,
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"source": "import",
"dimensions": [
{
"units": "cm",
"width": 19,
"height": 19
}
],
"dimensionsRaw": "H: 7 1/2 x W: 7 1/2 in. (19 x 19 cm)"
}
Document source extras
{
"inscriptions": "[Signature] Lower left: N. Diaz",
"med": "oil on canvas",
"creator_ids": [
"6229"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": []
}
Page context
{
"seq": 2,
"pageIndex": 0,
"type": "photo",
"url": "https://art.thewalters.org/images/raw/CON_37.177_XR_1977.jpg",
"mediaId": "d82633d1381eea39"
}