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Source Description
A nude woman clasps her arms around the neck of a man reclining on a draped bench. He is being served wine by a kneeling servant. At the extreme right is a column entwined with vine grapes.The subjects of this painting have traditionally been identified as the Roman poet, Quintus Horatius Flaccus (65-8 BC) and Lydia, a Roman courtesan, who figures prominently in the poet's "Odes." An identical composition, though distinguished by more dramatic illumination, is in the Wallace collection, London, inv. P340, dated 1843, listed as "A Roman Feast."The composition is generally described as an essay preliminary to the celebrated "Romans of the Decadence," Louvre, R.F. 3451, shown at the Salon of 1847. Superficial similarities can be cited between the poses of the figures in the small composition and those of the reclining couple at the left side of the Salon picture, and also between the laurel-wreathed male head in this picture and the head of the second figure witnessing the orgy at the extreme right in the Louvre painting. Drawings related to the London and Baltimore pictures were sold at the Hôtel Drouot, Paris, November 23, 1970, and again June 25, 1973.
Scholar Source Context
Document identity
localId
13728
label
Horace and Lydia
core
obj
dtoType
drawing
citationUrl
pageCount
3
Source metadata
id
13728
sourceUrl
contentType
drawing
stage
normalized
title
Horace and Lydia
description
A nude woman clasps her arms around the neck of a man reclining on a draped bench. He is being served wine by a kneeling servant. At the extreme right is a column entwined with vine grapes.The subjects of this painting have traditionally been identified as the Roman poet, Quintus Horatius Flaccus (65-8 BC) and Lydia, a Roman courtesan, who figures prominently in the poet's "Odes." An identical composition, though distinguished by more dramatic illumination, is in the Wallace collection, London, inv. P340, dated 1843, listed as "A Roman Feast."The composition is generally described as an essay preliminary to the celebrated "Romans of the Decadence," Louvre, R.F. 3451, shown at the Salon of 1847. Superficial similarities can be cited between the poses of the figures in the small composition and those of the reclining couple at the left side of the Salon picture, and also between the laurel-wreathed male head in this picture and the head of the second figure witnessing the orgy at the extreme right in the Louvre painting. Drawings related to the London and Baltimore pictures were sold at the Hôtel Drouot, Paris, November 23, 1970, and again June 25, 1973.
provenance
Sedelmeyer Sale, Paris, April 30-March 2, 1879, no. 13; S. P. Avery, New York [date and mode of acquisition unknown]; William T. Walters, Baltimore, March 10, 1885, by purchase; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
date
after 1843
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
panel paintings
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
21.5
height
27
dimensionsRaw
H: 8 7/16 x W: 10 5/8 in. (21.5 x 27 cm)
Source extras
inscriptions
[Signature] Mid left: T C
med
oil on panel
creator_ids
6295
collection_ids
EAN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
3dbdf09bcc4a470f
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
29352c7dd763b436
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
545f38c2a2ae12f4
hasOcr
no
hasDescription
no