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Source Description

According to the ancient Roman writer Livy (64 BCE-12 CE), the Roman general Scipio Africanus (236-183 BCE) captured a young maiden during his siege of the town of Cartagena in Spain. Female prisoners were usually brutalized by their Roman abductors but Scipio treated his captive with respect. He eventually returned her safely to her fiancé, Allucius, in exchange for Cartagena’s allegiance to the Roman Empire. Scipio’s magnanimity (generosity) was celebrated during the Renaissance as an outstanding example of virtuous behavior. It became popular as a subject for “spalliere,” horizontal panels installed at shoulder height (“spalla”=shoulder) in the rooms of patrician palaces and illustrated with narratives that encouraged moral behavior. In this spalliera panel, painted in the north Italian city of Verona in the late 1400s, Scipio stands at the center of the composition before Allucius, who kneels before Scipio and offers him a gold vessel as part of his fiancée’s ransom. His fiancée, wearing a dark blue dress and yellow cloak, can be seen behind Scipio’s fellow soldiers. All of the figures are represented wearing the highest Renaissance fashions, rather than classical togas, in an effort to make the story resonate with its 15th-century audience. The discolored varnish makes the painting quite difficult to read.

Scholar Source Context

Document identity
localId
14835
label
The Magnanimity of Scipio Africanus
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
14835
contentType
drawing
stage
normalized
title
The Magnanimity of Scipio Africanus
description
According to the ancient Roman writer Livy (64 BCE-12 CE), the Roman general Scipio Africanus (236-183 BCE) captured a young maiden during his siege of the town of Cartagena in Spain. Female prisoners were usually brutalized by their Roman abductors but Scipio treated his captive with respect. He eventually returned her safely to her fiancé, Allucius, in exchange for Cartagena’s allegiance to the Roman Empire. Scipio’s magnanimity (generosity) was celebrated during the Renaissance as an outstanding example of virtuous behavior. It became popular as a subject for “spalliere,” horizontal panels installed at shoulder height (“spalla”=shoulder) in the rooms of patrician palaces and illustrated with narratives that encouraged moral behavior. In this spalliera panel, painted in the north Italian city of Verona in the late 1400s, Scipio stands at the center of the composition before Allucius, who kneels before Scipio and offers him a gold vessel as part of his fiancée’s ransom. His fiancée, wearing a dark blue dress and yellow cloak, can be seen behind Scipio’s fellow soldiers. All of the figures are represented wearing the highest Renaissance fashions, rather than classical togas, in an effort to make the story resonate with its 15th-century audience. The discolored varnish makes the painting quite difficult to read.
provenance
William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1500 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
92.5
height
119.8
depth
2
dimensionsRaw
Painted surface H: 36 7/16 x W: 47 3/16 x Min. D: 13/16 in. (92.5 x 119.8 x 2 cm); Max. D: 1 in. (2.5 cm)
Source extras
med
oil on wood (silver fir) panel
creator_ids
3082
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
4d9d66705f4a0840