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Source Description

Theresa Dudley (1624-98) was the daughter of Sir Robert Dudley, an English aristocrat who was in the service of Grand Duke Cosimo II de' Medici in Florence. In 1649, she married Count Mario di Carpegna, high steward to Cardinal Carlo de' Medici. The companion portrait of her husband remains in the family's possession. Many Italian artists thought that portraits made from life were not challenging, and, therefore, several Flemish portraitists were able to make prosperous careers serving the aristocracy of Italy, in Sustermans's case, the Medici rulers of Florence and their circle.The artist's brushwork brings out the delicacy of the countess's skin, set off by frothy sleeves. The dress, jewelry, and pose are simplified versions of an earlier portrait by Sustermans of the grand duchess, wife of Cosimo II. In this way, the countess paid a complement to her social superior.

Scholar Source Context

Document identity
localId
16176
label
Portrait of Countess Teresa Dudley di Carpegna
core
obj
dtoType
drawing
pageCount
3
Source metadata
id
16176
contentType
drawing
stage
normalized
title
Portrait of Countess Teresa Dudley di Carpegna
description
Theresa Dudley (1624-98) was the daughter of Sir Robert Dudley, an English aristocrat who was in the service of Grand Duke Cosimo II de' Medici in Florence. In 1649, she married Count Mario di Carpegna, high steward to Cardinal Carlo de' Medici. The companion portrait of her husband remains in the family's possession. Many Italian artists thought that portraits made from life were not challenging, and, therefore, several Flemish portraitists were able to make prosperous careers serving the aristocracy of Italy, in Sustermans's case, the Medici rulers of Florence and their circle.The artist's brushwork brings out the delicacy of the countess's skin, set off by frothy sleeves. The dress, jewelry, and pose are simplified versions of an earlier portrait by Sustermans of the grand duchess, wife of Cosimo II. In this way, the countess paid a complement to her social superior.
provenance
Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1654 (Baroque)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
portraits
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
109.7
height
90.8
dimensionsRaw
H: 43 3/16 x W: 35 3/4 in. (109.7 x 90.8 cm)
Source extras
med
oil on canvas
creator_ids
2416
collection_ids
BAR
exhibition_ids
2517
Page inventory
seq
1
type
photo
mediaId
4f18669e70df9c0c
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
176855263786e1d0
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
a9ff16f7e24ec934
hasOcr
no
hasDescription
no