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Source Description

Sharply silhouetted against the darkened sky is the dying Christ. A couple of gesturing spectators appear at the left, and on the right are two mounted Roman soldiers with billowing banners. Other onlookers are visible in the mid-ground. Although not a practicing Christian, Delacroix painted a number of New Testament subjects. Evidently, he was attracted to the drama of Christ's Passion and was endeavoring to deal with issues of personal faith raised by Christ's human and divine nature. When this work was exhibited at the Paris Salon in 1847, the critics enthusiastically praised it, noting its affinities with Crucifixion scenes by the great Flemish master Peter Paul Rubens.

Scholar Source Context

Document identity
localId
16288
label
Christ on the Cross
core
obj
dtoType
drawing
pageCount
2
Source metadata
id
16288
contentType
drawing
stage
normalized
title
Christ on the Cross
description
Sharply silhouetted against the darkened sky is the dying Christ. A couple of gesturing spectators appear at the left, and on the right are two mounted Roman soldiers with billowing banners. Other onlookers are visible in the mid-ground. Although not a practicing Christian, Delacroix painted a number of New Testament subjects. Evidently, he was attracted to the drama of Christ's Passion and was endeavoring to deal with issues of personal faith raised by Christ's human and divine nature. When this work was exhibited at the Paris Salon in 1847, the critics enthusiastically praised it, noting its affinities with Crucifixion scenes by the great Flemish master Peter Paul Rubens.
provenance
van Isaker, Antwerp, March 16, 1847 (?), by purchase [sold by the artist together with an Odalisque]; van Cuyck Collection (?) [date and mode of acquisition unknown]; Bonnet Collection Sale, Paris, February 19, 1853, no. 10; Collections of Bréville, Solar, Osiris, Gavet, Fanien [date and mode of acquisition unknown]; Georges Petit (1856-1920) [date of acquisition unknown], by purchase [according to Robaut]; Collections Defoer Sale, Paris, May 22, 1886, no. 16; William T. Walters, Baltimore, 1886, by purchase [Montaignac as agent]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
date
1846
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
80
height
64.2
dimensionsRaw
H: 31 1/2 x W: 25 1/4 in. (80 x 64.2 cm); Framed H with build-up: 43 5/8 x W: 37 3/16 x D: 5 1/4 in. (110.81 x 94.46 x 13.34 cm)
Source extras
inscriptions
[Signature] Lower right: Eug. Delacroix; [Date] Lower right: 1846
med
oil on canvas
creator_ids
2617
collection_ids
EAN
exhibition_ids
6
728
2113
2159
442
226
2213
2308
631
484
2295
170
2992
3003
3062
2297
3300
3512
Page inventory
seq
1
type
photo
mediaId
c7b6320aa0d63dd6
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
41b443abc36ceb2a
hasOcr
no
hasDescription
no