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Both Barye and his friend the painter Eugène Delacroix (1798-1863) copied the image of a lion gnawing a hunter from the famous painting "The Lion Hunt" by Peter Paul Rubens (1577-1640) in the Alte Pinakothek, Munich. The lightly sketched lioness on Barye's sheet was also taken from the same painting. This drawing may also be related to Barye's earliest known work, the Milo of Croton medallion (Walters 27.191).
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 708507b5a57fe84d
- Size
- unknown
Document data
- ID
- 16320
- Core
- obj
- Type
- drawing
DTO data
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"description": "Both Barye and his friend the painter Eugène Delacroix (1798-1863) copied the image of a lion gnawing a hunter from the famous painting \"The Lion Hunt\" by Peter Paul Rubens (1577-1640) in the Alte Pinakothek, Munich. The lightly sketched lioness on Barye's sheet was also taken from the same painting. This drawing may also be related to Barye's earliest known work, the Milo of Croton medallion (Walters 27.191).",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "16320",
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"contentType": "drawing",
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"title": "Sketch of a Lion After Rubens",
"description": "Both Barye and his friend the painter Eugène Delacroix (1798-1863) copied the image of a lion gnawing a hunter from the famous painting \"The Lion Hunt\" by Peter Paul Rubens (1577-1640) in the Alte Pinakothek, Munich. The lightly sketched lioness on Barye's sheet was also taken from the same painting. This drawing may also be related to Barye's earliest known work, the Milo of Croton medallion (Walters 27.191).",
"provenance": "Mme Vildieu (born Georgine-Virginie-Henriette Barye); Fabius Frères, Paris; Walters Art Museum, 1949, by purchase.",
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Document source extras
{
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"creator_ids": [
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"collection_ids": [
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Page context
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