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Source Description
The original painting is from the Medici cycle commissioned in 1622 for the Luxembourg Palace by the Dowager Queen, Marie de' Medici, and completed by Rubens and his assistants within three years. When the palace was presented to the Senate of the Republic in 1808, the twenty-one monumental canvases were transferred to the Louvre where they have since been displayed. Preliminary studies for the cycle are preserved in the Alte Pinakothek, Munich. The scene is set on Mount Olympus. In this copy, which is a detail from the right side of the original composition, Apollo and Mars are seen in the foreground expelling Discord and Envy. Behind are several Olympian deities, including Venus partially swathed in pink drapery, and Ceres.Until 1937, this copy bore the signature "E. Delacroix," which was proved to be spurious during conservation treatment. Prior to 1937 the painting was consistently recorded as a work of Eugène Delacroix, an attribution which has not been substantiated by stylistic comparisons or documentary evidence. It is now catalogued as an anonymous copy after Peter Paul Rubens.
Scholar Source Context
Document identity
localId
16541
label
Section from ""The Government of the Queen""
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
16541
sourceUrl
contentType
drawing
stage
normalized
title
Section from ""The Government of the Queen""
description
The original painting is from the Medici cycle commissioned in 1622 for the Luxembourg Palace by the Dowager Queen, Marie de' Medici, and completed by Rubens and his assistants within three years. When the palace was presented to the Senate of the Republic in 1808, the twenty-one monumental canvases were transferred to the Louvre where they have since been displayed. Preliminary studies for the cycle are preserved in the Alte Pinakothek, Munich. The scene is set on Mount Olympus. In this copy, which is a detail from the right side of the original composition, Apollo and Mars are seen in the foreground expelling Discord and Envy. Behind are several Olympian deities, including Venus partially swathed in pink drapery, and Ceres.Until 1937, this copy bore the signature "E. Delacroix," which was proved to be spurious during conservation treatment. Prior to 1937 the painting was consistently recorded as a work of Eugène Delacroix, an attribution which has not been substantiated by stylistic comparisons or documentary evidence. It is now catalogued as an anonymous copy after Peter Paul Rubens.
provenance
Daniel Cottier, London [date and mode of acquisition unknown]; E. F. Milliken Sale, American Art Galleries, New York, February 14, 1902, no. 20; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1st half 19th century
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
panel paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
50
height
32.5
dimensionsRaw
H: 19 11/16 x W: 12 13/16 in. (50 x 32.5 cm)
Source extras
inscriptions
[Signature] Formerly signed lower left: E. Delacroix; [Sticker] On paper label on reverse of frame: Millikin/35420
med
oil on panel
creator_ids
2413
collection_ids
EAN
exhibition_ids
2383
2672
Single page context
seq
1
pageIndex
0
type
photo
mediaId
cc5241abd96501ad