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Boughton was the son of a Norwich farmer who was taken to America while still an infant. He initially opened a studio in Albany, New York, listing himself as a landscape painter. He eventually settled in London where he produced historical genre scenes, many of which were set in New England. This painting is set in the English Regency period. A young couple is seated at the fork of diverging paths. As noted by the artist, this is an ominous sign for their furture:"A young pair are seated under a tree- late autumn, the big leaves all about- he is reading a book and carelessly caressing his dog; and she is pouting prettily, but thinking no pretty thoughts of him. (Excerpt from a now unlocated letter from Boughton to W. T. Walters reproduced in the early Walters catalogues).
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 5fc32f4c87da21a4
- Size
- unknown
Document data
- ID
- 16797
- Core
- obj
- Type
- drawing
DTO data
{
"id": "16797",
"sourceUrl": "https://purl.thewalters.org/art/37.129",
"contentType": "drawing",
"stage": "normalized",
"title": "The Waning Honeymoon",
"description": "Boughton was the son of a Norwich farmer who was taken to America while still an infant. He initially opened a studio in Albany, New York, listing himself as a landscape painter. He eventually settled in London where he produced historical genre scenes, many of which were set in New England. This painting is set in the English Regency period. A young couple is seated at the fork of diverging paths. As noted by the artist, this is an ominous sign for their furture:\"A young pair are seated under a tree- late autumn, the big leaves all about- he is reading a book and carelessly caressing his dog; and she is pouting prettily, but thinking no pretty thoughts of him. (Excerpt from a now unlocated letter from Boughton to W. T. Walters reproduced in the early Walters catalogues).",
"provenance": "Purchased by William T. Walters from the artist, Baltimore, ca. 1878; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.",
"date": "1878",
"citationUrl": "https://purl.thewalters.org/art/37.129",
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"dimensions": [
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"depth": 2.9
}
],
"dimensionsRaw": "H: 20 × W: 30 1/16 × D: 1 1/8 in. (50.8 × 76.36 × 2.86 cm); Framed H: 33 3/4 × W: 44 3/4 × D: 5 5/8 in. (85.73 × 113.67 × 14.29 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "16797",
"label": "The Waning Honeymoon",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.129"
}
Document source metadata
{
"id": "16797",
"sourceUrl": "https://purl.thewalters.org/art/37.129",
"contentType": "drawing",
"stage": "normalized",
"title": "The Waning Honeymoon",
"description": "Boughton was the son of a Norwich farmer who was taken to America while still an infant. He initially opened a studio in Albany, New York, listing himself as a landscape painter. He eventually settled in London where he produced historical genre scenes, many of which were set in New England. This painting is set in the English Regency period. A young couple is seated at the fork of diverging paths. As noted by the artist, this is an ominous sign for their furture:\"A young pair are seated under a tree- late autumn, the big leaves all about- he is reading a book and carelessly caressing his dog; and she is pouting prettily, but thinking no pretty thoughts of him. (Excerpt from a now unlocated letter from Boughton to W. T. Walters reproduced in the early Walters catalogues).",
"provenance": "Purchased by William T. Walters from the artist, Baltimore, ca. 1878; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.",
"date": "1878",
"citationUrl": "https://purl.thewalters.org/art/37.129",
"rightsUri": "CC0",
"language": "en",
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"largeImageUrl": "https://art.thewalters.org/images/art/PL2_37.129_Fnt_BW.jpg",
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}
],
"dimensionsRaw": "H: 20 × W: 30 1/16 × D: 1 1/8 in. (50.8 × 76.36 × 2.86 cm); Framed H: 33 3/4 × W: 44 3/4 × D: 5 5/8 in. (85.73 × 113.67 × 14.29 cm)"
}
Document source extras
{
"inscriptions": "[Signature] Lower left: 18 G. H. Boughton 78",
"med": "oil on canvas",
"creator_ids": [
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],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
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]
}
Page context
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