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After training with Alexandre Cabanel (1823-89) and Jean-Léon Gérôme (1824-1904), Dagnan-Bouveret turned from Classical themes to subjects drawn from everyday life. In this scene, a country doctor bandages a boy's injured hand, while his family looks on with varying expressions of concern. The artist witnessed an incident like this while traveling with a doctor friend in the Franche-Comté region of eastern France. When this painting was exhibited at the Paris Salon in 1880, it established the artist's reputation as both a perceptive reporter of rural customs and a Realist who explored the psychological states of his subjects.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- d44547315e4316d5
- Size
- unknown
Document data
- ID
- 17015
- Core
- obj
- Type
- drawing
DTO data
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"title": "An Accident",
"description": "After training with Alexandre Cabanel (1823-89) and Jean-Léon Gérôme (1824-1904), Dagnan-Bouveret turned from Classical themes to subjects drawn from everyday life. In this scene, a country doctor bandages a boy's injured hand, while his family looks on with varying expressions of concern. The artist witnessed an incident like this while traveling with a doctor friend in the Franche-Comté region of eastern France. When this painting was exhibited at the Paris Salon in 1880, it established the artist's reputation as both a perceptive reporter of rural customs and a Realist who explored the psychological states of his subjects.",
"provenance": "William H. Stewart, Paris [date and mode of acquisition unknown]; William Schaus, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1898 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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}
Context sent to Scholar
Document identity
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"label": "An Accident",
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Document source metadata
{
"id": "17015",
"sourceUrl": "https://purl.thewalters.org/art/37.49",
"contentType": "drawing",
"stage": "normalized",
"title": "An Accident",
"description": "After training with Alexandre Cabanel (1823-89) and Jean-Léon Gérôme (1824-1904), Dagnan-Bouveret turned from Classical themes to subjects drawn from everyday life. In this scene, a country doctor bandages a boy's injured hand, while his family looks on with varying expressions of concern. The artist witnessed an incident like this while traveling with a doctor friend in the Franche-Comté region of eastern France. When this painting was exhibited at the Paris Salon in 1880, it established the artist's reputation as both a perceptive reporter of rural customs and a Realist who explored the psychological states of his subjects.",
"provenance": "William H. Stewart, Paris [date and mode of acquisition unknown]; William Schaus, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1898 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "1879",
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Document source extras
{
"inscriptions": [
"[Signature] Lower right: P.A.J. DAGNANB; [Date] Lower right: 1879; [Inscription] Pasavant-sur-cones [Haute-Saone]; [Label] On frame: Médaille",
"l ére Classe; [Label] Of William Schaus",
"Tableaux Modernes",
"749 Broadway"
],
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"creator_ids": [
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"exhibition_ids": [
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"316"
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}
Page context
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