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Baltimore artist, Alfred Jacob Miller was a prolific sketcher. He filled many journals with drawings and captions from the time he was studying in Paris and Rome (1833) until the 1870's. In 1969 a collection of 100 of these sketches was generously donated to the Walters Art Museum by J. William Middendorf II. The interests of Miller are clearly reflected in these sketches: the theater (a large portion being quick figure drawings of the Ravel Pantomime Troupe), childhood memories, Baltimore scenery, and witty scenes of characters. (See The Walters Art Gallery Bulletin, April, 1969, Vol. 21, No. 7, Pages 3-4)."Bridge of Sighs. Tom Hood 'Oh. - It was pitiful, near a whole city full, Friend, had she non." [from Thomas Hood (1799-1845), "The Bridge of Sighs," 1844]" -Miller
Page data
- Page
- 3
- Source index
- 0
- Type
- photo
- Media ID
- bd7365a313f99d71
- Size
- unknown
Document data
- ID
- 17440
- Core
- obj
- Type
- drawing
DTO data
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"title": "Bridge of Sighs",
"description": "Baltimore artist, Alfred Jacob Miller was a prolific sketcher. He filled many journals with drawings and captions from the time he was studying in Paris and Rome (1833) until the 1870's. In 1969 a collection of 100 of these sketches was generously donated to the Walters Art Museum by J. William Middendorf II. The interests of Miller are clearly reflected in these sketches: the theater (a large portion being quick figure drawings of the Ravel Pantomime Troupe), childhood memories, Baltimore scenery, and witty scenes of characters. (See The Walters Art Gallery Bulletin, April, 1969, Vol. 21, No. 7, Pages 3-4).\"Bridge of Sighs. Tom Hood 'Oh. - It was pitiful, near a whole city full, Friend, had she non.\" [from Thomas Hood (1799-1845), \"The Bridge of Sighs,\" 1844]\" -Miller",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "17440",
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"contentType": "drawing",
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"title": "Bridge of Sighs",
"description": "Baltimore artist, Alfred Jacob Miller was a prolific sketcher. He filled many journals with drawings and captions from the time he was studying in Paris and Rome (1833) until the 1870's. In 1969 a collection of 100 of these sketches was generously donated to the Walters Art Museum by J. William Middendorf II. The interests of Miller are clearly reflected in these sketches: the theater (a large portion being quick figure drawings of the Ravel Pantomime Troupe), childhood memories, Baltimore scenery, and witty scenes of characters. (See The Walters Art Gallery Bulletin, April, 1969, Vol. 21, No. 7, Pages 3-4).\"Bridge of Sighs. Tom Hood 'Oh. - It was pitiful, near a whole city full, Friend, had she non.\" [from Thomas Hood (1799-1845), \"The Bridge of Sighs,\" 1844]\" -Miller",
"provenance": "L. Vernon Miller, by inheritance; Kennedy Galleries, New York [date and mode of acquisition unknown]; Mr. and Mrs. J. William Middendorf II, New York; Walters Art Museum, 1970, by gift.",
"date": "1825-1870",
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Document source extras
{
"inscriptions": [
"[Monogram] Lower left: AJM; [Inscription] Bridge of Sighs. Tom Hood \"\"Oh.- It was pitiful",
"near a whole city full",
"Friend",
"had she none.\"\" [from Thomas Hood (1799-1845)",
"\"\"The Bridge of Sighs",
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Page context
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