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In this panoramic view of the Seine River valley near the town of St.-Germain-en-Laye, Sisley captures the atmosphere and light conditions associated with early spring. On the heights in the distance, he includes the old château that housed the French royal court until 1682, but he also inserts some notes of modernity, including the steam tugs hauling barges on the river and the railroad bridge.Sisley was born in France of English parents. While enrolled in Charles Gleyre's studio in Paris, he and his fellow students, Claude Monet, Auguste Renoir, and Frédéric Bazille, began to paint outdoors in the Fontainebleau forest. In 1874, he showed five paintings in the first Impressionist exhibition. Of all the Impressionists, he and Monet would remain the most consistent landscape painters.

Page data

Page
1
Source index
0
Type
photo
Media ID
dddcf94aedceb00d
Size
unknown

Document data

ID
17847
Core
obj
Type
drawing
DTO data
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    "id": "17847",
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    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Terrace at Saint-Germain, Spring",
    "description": "In this panoramic view of the Seine River valley near the town of St.-Germain-en-Laye, Sisley captures the atmosphere and light conditions associated with early spring. On the heights in the distance, he includes the old château that housed the French royal court until 1682, but he also inserts some notes of modernity, including the steam tugs hauling barges on the river and the railroad bridge.Sisley was born in France of English parents. While enrolled in Charles Gleyre's studio in Paris, he and his fellow students, Claude Monet, Auguste Renoir, and Frédéric Bazille, began to paint outdoors in the Fontainebleau forest. In 1874, he showed five paintings in the first Impressionist exhibition. Of all the Impressionists, he and Monet would remain the most consistent landscape painters.",
    "provenance": "Paul Durand-Ruel, 1880, by purchase [from the artist];  J. B. Faure, Paris [date and mode of acquisition unknown];  Charles Guasco [date and mode of acquisition unknown];  Charles Guasco Sale, Georges Petit, Paris, June 11, 1900, no. 67;  Durand-Ruel, Paris, 1900, by purchase;  E. J. Blair, Baltimore, July 9, 1900, by purchase;  Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
    "date": "1875",
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    "dimensionsRaw": "H: 29 x W: 39 3/16 in. (73.6 x 99.6 cm); Framed H: 42 1/4 x W: 53 3/4 x D: 6 3/4 in. (107.32 x 136.53 x 17.15 cm)"
}

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Document identity
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    "localId": "17847",
    "label": "The Terrace at Saint-Germain, Spring",
    "core": "obj",
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Document source metadata
{
    "id": "17847",
    "sourceUrl": "https://purl.thewalters.org/art/37.992",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "The Terrace at Saint-Germain, Spring",
    "description": "In this panoramic view of the Seine River valley near the town of St.-Germain-en-Laye, Sisley captures the atmosphere and light conditions associated with early spring. On the heights in the distance, he includes the old château that housed the French royal court until 1682, but he also inserts some notes of modernity, including the steam tugs hauling barges on the river and the railroad bridge.Sisley was born in France of English parents. While enrolled in Charles Gleyre's studio in Paris, he and his fellow students, Claude Monet, Auguste Renoir, and Frédéric Bazille, began to paint outdoors in the Fontainebleau forest. In 1874, he showed five paintings in the first Impressionist exhibition. Of all the Impressionists, he and Monet would remain the most consistent landscape painters.",
    "provenance": "Paul Durand-Ruel, 1880, by purchase [from the artist];  J. B. Faure, Paris [date and mode of acquisition unknown];  Charles Guasco [date and mode of acquisition unknown];  Charles Guasco Sale, Georges Petit, Paris, June 11, 1900, no. 67;  Durand-Ruel, Paris, 1900, by purchase;  E. J. Blair, Baltimore, July 9, 1900, by purchase;  Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
    "date": "1875",
    "citationUrl": "https://purl.thewalters.org/art/37.992",
    "rightsUri": "CC0",
    "language": "en",
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    ],
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}
Document source extras
{
    "inscriptions": "[Signature] Lower left: Sisley;  [Date] Lower left: 75;  [Sticker] Durand-Ruel's sticker on back: Sisley No. 2646/La Terrasse St./Germain gsss;  [Inscription] On crossbar of stretcher in pencil: D.R.N.Y./2360/2646",
    "med": "oil on canvas",
    "creator_ids": [
        "3351"
    ],
    "collection_ids": [
        "EAN"
    ],
    "exhibition_ids": [
        "6",
        "1955",
        "2113",
        "2159",
        "442",
        "2473",
        "2332",
        "2539",
        "2538",
        "366",
        "2749",
        "13",
        "316",
        "3300",
        "3607"
    ]
}
Page context
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