Ask the Scholar
Document scope · 1 page
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
The influential English author and critic John Ruskin profoundly influenced the Pre-Raphaelite painters in England as well as their contemporaries in America. He once wrote that the duty of the artist was "neither to choose, nor compose, nor imagine, nor experimentalize; but to be humble and earnest in following the steps of nature, and tracing the figure of God." At the beginning of the 1860s, a number of American artist responded by producing views of plants growing in their natural state.Richards' first attempts at working from nature in the Ruskinian manner date from 1858 and this phase lasts until 1865. This watercolor, which is dated 1860, portrays nature at closer quarters than his initial attempts. It also shows his growing control of the medium, although he did not come to specialize in watercolor until a decade later. This work is an interesting comparison to WAM 37.2642 which was painted from studies in the studio. In this work Richards' handling of watercolor is much broader and his subject matter wild and romantic, recalling the work of J.M.W. Turner.
Scholar Source Context
Document identity
localId
18408
label
Red Clover with Butter-and-Eggs and Ground Ivy
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
18408
sourceUrl
contentType
drawing
stage
normalized
title
Red Clover with Butter-and-Eggs and Ground Ivy
description
The influential English author and critic John Ruskin profoundly influenced the Pre-Raphaelite painters in England as well as their contemporaries in America. He once wrote that the duty of the artist was "neither to choose, nor compose, nor imagine, nor experimentalize; but to be humble and earnest in following the steps of nature, and tracing the figure of God." At the beginning of the 1860s, a number of American artist responded by producing views of plants growing in their natural state.Richards' first attempts at working from nature in the Ruskinian manner date from 1858 and this phase lasts until 1865. This watercolor, which is dated 1860, portrays nature at closer quarters than his initial attempts. It also shows his growing control of the medium, although he did not come to specialize in watercolor until a decade later. This work is an interesting comparison to WAM 37.2642 which was painted from studies in the studio. In this work Richards' handling of watercolor is much broader and his subject matter wild and romantic, recalling the work of J.M.W. Turner.
provenance
Acquired (possibly by purchase) by William T. Walters, Baltimore, before 1862; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
date
1860
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
watercolors (paintings)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
17.2
height
13.5
dimensionsRaw
H: 6 3/4 × W: 5 5/16 in. (17.2 × 13.5 cm); Framed H: 21 1/4 × W: 16 1/4 × D: 1 5/16 in. (53.98 × 41.28 × 3.33 cm)
Source extras
inscriptions
[Signature and date] Bottom right: Wm. T. Richards 60
med
watercolors with selectively applied glaze over graphite on paper
creator_ids
5813
collection_ids
EAN
exhibition_ids
190
2703
1993
2973
3447
3465
Single page context
seq
1
pageIndex
0
type
photo
mediaId
b191c4df662bd2a2