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This scene depicts the story of Bathsheba as described in the Old Testament book of 2 Samuel (11:2). Bathsheba was the wife of one of King David’s military commanders, and here, King David surreptitiously violates her privacy by gazing at her from his palace while she bathes. King David’s infatuation with Bathsheba will lead him to order her husband’s death and take her as his wife. In the biblical account, God punishes David by causing his and Bathsheba’s newborn son to die.The only witness to the King’s aggression, Bathsheba’s servant—here shown as a Black woman although her race is not mentioned in the biblical passage—provides the focal point of tension in the visual narrative depicted here. The artist may have depicted the servant as Black both to draw attention to her pivotal role as witness and to reflect contemporary experience in Venice. Venetian painters, such as Bordone, were particularly known for their ability to paint beautiful women. The painting is characteristic of Bordone’s fondness for fantastic architectural settings and deep perspective.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 271, p. 398.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- b2aafa2dfd109aa3
- Size
- unknown
Document data
- ID
- 18623
- Core
- obj
- Type
- drawing
DTO data
{
"id": "18623",
"sourceUrl": "https://purl.thewalters.org/art/37.2371",
"contentType": "drawing",
"stage": "normalized",
"title": "David and Bathsheba",
"description": "This scene depicts the story of Bathsheba as described in the Old Testament book of 2 Samuel (11:2). Bathsheba was the wife of one of King David’s military commanders, and here, King David surreptitiously violates her privacy by gazing at her from his palace while she bathes. King David’s infatuation with Bathsheba will lead him to order her husband’s death and take her as his wife. In the biblical account, God punishes David by causing his and Bathsheba’s newborn son to die.The only witness to the King’s aggression, Bathsheba’s servant—here shown as a Black woman although her race is not mentioned in the biblical passage—provides the focal point of tension in the visual narrative depicted here. The artist may have depicted the servant as Black both to draw attention to her pivotal role as witness and to reflect contemporary experience in Venice. Venetian painters, such as Bordone, were particularly known for their ability to paint beautiful women. The painting is characteristic of Bordone’s fondness for fantastic architectural settings and deep perspective.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 271, p. 398.",
"provenance": "Owned by Mrs. Donald B. Hebb, Baltimore; given to Walters Art Museum, 1956.",
"date": "1540-1549 (Renaissance)",
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"source": "import",
"dimensions": [
{
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"width": 114,
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}
],
"dimensionsRaw": "Painted surface H: 44 7/8 × W: 57 1/16 × D: 1 1/16 in. (114 × 145 × 2.7 cm); Framed H: 58 7/8 × W: 71 1/2 × D: 4 5/16 in. (149.54 × 181.61 × 11 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "18623",
"label": "David and Bathsheba",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.2371"
}
Document source metadata
{
"id": "18623",
"sourceUrl": "https://purl.thewalters.org/art/37.2371",
"contentType": "drawing",
"stage": "normalized",
"title": "David and Bathsheba",
"description": "This scene depicts the story of Bathsheba as described in the Old Testament book of 2 Samuel (11:2). Bathsheba was the wife of one of King David’s military commanders, and here, King David surreptitiously violates her privacy by gazing at her from his palace while she bathes. King David’s infatuation with Bathsheba will lead him to order her husband’s death and take her as his wife. In the biblical account, God punishes David by causing his and Bathsheba’s newborn son to die.The only witness to the King’s aggression, Bathsheba’s servant—here shown as a Black woman although her race is not mentioned in the biblical passage—provides the focal point of tension in the visual narrative depicted here. The artist may have depicted the servant as Black both to draw attention to her pivotal role as witness and to reflect contemporary experience in Venice. Venetian painters, such as Bordone, were particularly known for their ability to paint beautiful women. The painting is characteristic of Bordone’s fondness for fantastic architectural settings and deep perspective.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 271, p. 398.",
"provenance": "Owned by Mrs. Donald B. Hebb, Baltimore; given to Walters Art Museum, 1956.",
"date": "1540-1549 (Renaissance)",
"citationUrl": "https://purl.thewalters.org/art/37.2371",
"rightsUri": "CC0",
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],
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}
],
"dimensionsRaw": "Painted surface H: 44 7/8 × W: 57 1/16 × D: 1 1/16 in. (114 × 145 × 2.7 cm); Framed H: 58 7/8 × W: 71 1/2 × D: 4 5/16 in. (149.54 × 181.61 × 11 cm)"
}
Document source extras
{
"med": "oil on canvas",
"creator_ids": [
"7039"
],
"collection_ids": [
"REN"
],
"exhibition_ids": [
"3453"
]
}
Page context
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