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In 1857, Barye designed a pediment for the western façade of the Sully Pavilion of the Louvre. His subject was Napoleon I Dominating History and the Fine Arts. He experimented using various motifs; in this drawing he shows the emperor enthroned holding a lyre. Rays emanating from his head associate him with the god Apollo. Napoleon is flanked by seated and reclining females. In the final design, the bust of Napoleon wearing a laurel crown was placed in the center flanked by female figures symbolizing History and the Fine Arts.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- f12ecdb2944fabf3
- Size
- unknown
Document data
- ID
- 18870
- Core
- obj
- Type
- drawing
DTO data
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"title": "Study for a Louvre Pediment",
"description": "In 1857, Barye designed a pediment for the western façade of the Sully Pavilion of the Louvre. His subject was Napoleon I Dominating History and the Fine Arts. He experimented using various motifs; in this drawing he shows the emperor enthroned holding a lyre. Rays emanating from his head associate him with the god Apollo. Napoleon is flanked by seated and reclining females. In the final design, the bust of Napoleon wearing a laurel crown was placed in the center flanked by female figures symbolizing History and the Fine Arts.",
"provenance": "Mme Vildieu (born Georgine-Virginie-Henriette Barye); Fabius Frères, Paris; Walters Art Museum, 1949, by purchase.",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "18870",
"sourceUrl": "https://purl.thewalters.org/art/37.2207",
"contentType": "drawing",
"stage": "normalized",
"title": "Study for a Louvre Pediment",
"description": "In 1857, Barye designed a pediment for the western façade of the Sully Pavilion of the Louvre. His subject was Napoleon I Dominating History and the Fine Arts. He experimented using various motifs; in this drawing he shows the emperor enthroned holding a lyre. Rays emanating from his head associate him with the god Apollo. Napoleon is flanked by seated and reclining females. In the final design, the bust of Napoleon wearing a laurel crown was placed in the center flanked by female figures symbolizing History and the Fine Arts.",
"provenance": "Mme Vildieu (born Georgine-Virginie-Henriette Barye); Fabius Frères, Paris; Walters Art Museum, 1949, by purchase.",
"date": "ca. 1857",
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Document source extras
{
"med": "graphite on paper",
"creator_ids": [
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Page context
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