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Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference. These words, which shaped how Miller’s contemporaries viewed the watercolors, reveal the racism and sexism embedded in 19th-century exploration and colonization of the western part of what is today the United States." A chief of the Kansas. These have become poor and reduced in numbers. The Buffalo on which they depended for their food having long ago migrated West, leaving them but a sparse supply of deer, wild turkeys, and prairie-hens to subsist on" A.J. Miller, extracted from "The West of Alfred Jacob Miller" (1837).In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.

Page data

Page
2
Source index
0
Type
photo
Media ID
4477d16fb72d0305
Size
unknown

Document data

ID
18986
Core
obj
Type
drawing
DTO data
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    "sourceUrl": "https://purl.thewalters.org/art/37.1940.17",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "White Plume",
    "description": "Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference. These words, which shaped how Miller’s contemporaries viewed the watercolors, reveal the racism and sexism embedded in 19th-century exploration and colonization of the western part of what is today the United States.\" A chief of the Kansas. These have become poor and reduced in numbers. The Buffalo on which they depended for their food having long ago migrated West, leaving them but a sparse supply of deer, wild turkeys, and prairie-hens to subsist on\" A.J. Miller, extracted from \"The West of Alfred Jacob Miller\" (1837).In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.",
    "provenance": "William T. Walters, Baltimore, 1858-1860, by commission; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar

Document identity
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Document source metadata
{
    "id": "18986",
    "sourceUrl": "https://purl.thewalters.org/art/37.1940.17",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "White Plume",
    "description": "Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference. These words, which shaped how Miller’s contemporaries viewed the watercolors, reveal the racism and sexism embedded in 19th-century exploration and colonization of the western part of what is today the United States.\" A chief of the Kansas. These have become poor and reduced in numbers. The Buffalo on which they depended for their food having long ago migrated West, leaving them but a sparse supply of deer, wild turkeys, and prairie-hens to subsist on\" A.J. Miller, extracted from \"The West of Alfred Jacob Miller\" (1837).In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.",
    "provenance": "William T. Walters, Baltimore, 1858-1860, by commission; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.",
    "date": "1858-1860",
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Document source extras
{
    "inscriptions": "[Monogram] Lower right: AJMiller; [Number] Lower right: 46",
    "med": "watercolor heightened with white on paper",
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    ],
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        "2167",
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    ]
}
Page context
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