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A watercolor drawing dated 1503 (in the Albertina, Vienna) by the German master Albrecht Dürer (1471-1528) was the source for the composition, but the style is from around 1600 at which time there was a kind of "Dürer revival" in Germany and the Netherlands The drawing was then owned by Emperor Rudolf II in Prague who commissioned copies or adaptations from artists at his court. Painting on copper creates an enamel-like surface that satisfied collector's taste for refinement. The idyllic image of the Virgin playing with the infant Christ in a landscape full of varied detail was popular in the early 1500s when landscapes began their evolution from just background to independent compositions. Further analysis within the "Chamber of Wonders" installation and bibliography

Page data

Page
1
Source index
0
Type
photo
Media ID
9e6f1dcdaedef9dc
Size
unknown

Document data

ID
19250
Core
obj
Type
drawing
DTO data
{
    "id": "19250",
    "sourceUrl": "https://purl.thewalters.org/art/37.383",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Virgin and Child in a Landscape",
    "description": "A watercolor drawing dated 1503 (in the Albertina, Vienna) by the German master Albrecht Dürer (1471-1528) was the source for the composition, but the style is from around 1600 at which time there was a kind of \"Dürer revival\" in Germany and the Netherlands The drawing was then owned by Emperor Rudolf II in Prague who commissioned copies or adaptations from artists at his court. Painting on copper creates an enamel-like surface that satisfied collector's taste for refinement. The idyllic image of the Virgin playing with the infant Christ in a landscape full of varied detail was popular in the early 1500s when landscapes began their evolution from just background to independent compositions.   Further analysis within the \"Chamber of Wonders\" installation and bibliography",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1600 (Late Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.383",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "paintings"
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    "iiifBase": "https://art.thewalters.org/images/art/PL2_37.383_Fnt_TR_II.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL2_37.383_Fnt_TR_II.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL2_37.383_Fnt_TR_II.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 26.7,
            "height": 19.9
        }
    ],
    "dimensionsRaw": "H: 10 1/2 x W: 7 13/16 in. (26.7 x 19.9 cm)"
}

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Document identity
{
    "localId": "19250",
    "label": "Virgin and Child in a Landscape",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.383"
}
Document source metadata
{
    "id": "19250",
    "sourceUrl": "https://purl.thewalters.org/art/37.383",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Virgin and Child in a Landscape",
    "description": "A watercolor drawing dated 1503 (in the Albertina, Vienna) by the German master Albrecht Dürer (1471-1528) was the source for the composition, but the style is from around 1600 at which time there was a kind of \"Dürer revival\" in Germany and the Netherlands The drawing was then owned by Emperor Rudolf II in Prague who commissioned copies or adaptations from artists at his court. Painting on copper creates an enamel-like surface that satisfied collector's taste for refinement. The idyllic image of the Virgin playing with the infant Christ in a landscape full of varied detail was popular in the early 1500s when landscapes began their evolution from just background to independent compositions.   Further analysis within the \"Chamber of Wonders\" installation and bibliography",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1600 (Late Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.383",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL2_37.383_Fnt_TR_II.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL2_37.383_Fnt_TR_II.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL2_37.383_Fnt_TR_II.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
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            "height": 19.9
        }
    ],
    "dimensionsRaw": "H: 10 1/2 x W: 7 13/16 in. (26.7 x 19.9 cm)"
}
Document source extras
{
    "reign": "Rudolph II (1576-1611)",
    "med": "oil on copper",
    "creator_ids": [
        "2196",
        "6211"
    ],
    "collection_ids": [
        "BAR"
    ],
    "exhibition_ids": []
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL2_37.383_Fnt_TR_II.jpg",
    "mediaId": "9e6f1dcdaedef9dc"
}