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Source Description
Given the fact that it was commissioned by Walters over a year before the publication of the Doré Bible, this drawing illustrating the story of Jacob's dream as told in Genesis 28:11-13 is probably a preliminary study or a variation of the composition found on the full-page, wood-engraved illustration first published in "La Sainte Bible: Traduction nouvelle selon la Vulgate par Mm. J. -J. Bourasse et P. Janvier" (Tours, Alfred Mame et Fils, 1866, I:facing page 34). So popular was the Doré Bible that it was also issued in English that year and later appeared in German; it has since been printed in numerous editions in various languages. The Walters' drawing is smaller in format than the engraved illustration and differs in that it shows fewer angels, has palm trees rather than olive trees, and has less steeply inclined steps. To distinguish the heavenly specters from the earthly setting, these ethereal forms are rendered in white, while the landscape elements are in ink and wash. Given Doré's occasional practice of painting directly on the wood block, thereby eliminating the preparatory study on paper, a final drawing for the composition might never have existed.
Scholar Source Context
Document identity
localId
19948
label
Study for ""Jacob's Dream""
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
19948
sourceUrl
contentType
drawing
stage
normalized
title
Study for ""Jacob's Dream""
description
Given the fact that it was commissioned by Walters over a year before the publication of the Doré Bible, this drawing illustrating the story of Jacob's dream as told in Genesis 28:11-13 is probably a preliminary study or a variation of the composition found on the full-page, wood-engraved illustration first published in "La Sainte Bible: Traduction nouvelle selon la Vulgate par Mm. J. -J. Bourasse et P. Janvier" (Tours, Alfred Mame et Fils, 1866, I:facing page 34). So popular was the Doré Bible that it was also issued in English that year and later appeared in German; it has since been printed in numerous editions in various languages. The Walters' drawing is smaller in format than the engraved illustration and differs in that it shows fewer angels, has palm trees rather than olive trees, and has less steeply inclined steps. To distinguish the heavenly specters from the earthly setting, these ethereal forms are rendered in white, while the landscape elements are in ink and wash. Given Doré's occasional practice of painting directly on the wood block, thereby eliminating the preparatory study on paper, a final drawing for the composition might never have existed.
provenance
William T. Walters, Baltimore, January 21, 1865, by commission [George A. Lucas as agent]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
date
1865
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
drawings (visual works)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
24.7
height
19.1
dimensionsRaw
H: 9 3/4 x W: 7 1/2 in. (24.7 x 19.1 cm)
Source extras
inscriptions
[Signature] ink
lower right: G. Doré
med
pen and ink with ink wash and white heightened on beige, moderately thick, slightly textured wove paper
creator_ids
3589
collection_ids
EAN
exhibition_ids
229
908
2069
108
432
2830
Single page context
seq
1
pageIndex
0
type
photo
mediaId
3641f6a5dad559a9