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Source Description
King David's son Amnon pretended to be sick, and, when his half-sister Tamar came to visit him, he treacherously raped her (2 Samuel). In the later 1500s once the athletic ideal of classical antiquity and contemporary Italian art had been absorbed in the Netherlands, painters would typically depict such threatening male figures with far more muscular builds. Setting the scene in an early 16th-century bedroom with beautiful furnishings, including a wall clock (rare and expensive at this time) implied that the biblical stories remained current. The rich surface details, figures whose poses and gestures marked by graceful curves, and elaborate play of folds are typical of the prevailing style in Antwerp around 1515 to 1525 sometimes known as "Antwerp Mannerism," of which Jan van Dornicke, active in Antwerp around 1509 to 1525, is the leading practioner.
Scholar Source Context
Document identity
localId
20477
label
Amnon Attacking Tamar
core
obj
dtoType
drawing
citationUrl
pageCount
2
Source metadata
id
20477
sourceUrl
contentType
drawing
stage
normalized
title
Amnon Attacking Tamar
description
King David's son Amnon pretended to be sick, and, when his half-sister Tamar came to visit him, he treacherously raped her (2 Samuel). In the later 1500s once the athletic ideal of classical antiquity and contemporary Italian art had been absorbed in the Netherlands, painters would typically depict such threatening male figures with far more muscular builds. Setting the scene in an early 16th-century bedroom with beautiful furnishings, including a wall clock (rare and expensive at this time) implied that the biblical stories remained current. The rich surface details, figures whose poses and gestures marked by graceful curves, and elaborate play of folds are typical of the prevailing style in Antwerp around 1515 to 1525 sometimes known as "Antwerp Mannerism," of which Jan van Dornicke, active in Antwerp around 1509 to 1525, is the leading practioner.
provenance
Laffan Sale; Henry Walters, Baltimore, 1911 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1520 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
79.2
height
64.5
dimensionsRaw
31 3/16 x 25 3/8 in. (79.2 x 64.5 cm)
Source extras
med
oil on panel
creator_ids
15367
collection_ids
REN
exhibition_ids
2744
Page inventory
seq
1
type
photo
mediaId
22c49a59b8434b15
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
fe9f75770d5cd287
hasOcr
no
hasDescription
no