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Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful "house portraits." It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in 1818, it included a mounted huntsman in the foreground. Turner subsequently painted over this figure after his work had been denounced as a "detestable fox-hunting scene." Raby Castle, a ca. 1380 structure, is located in County Durham, England.

Page data

Page
1
Source index
0
Type
photo
Media ID
2ab0e3392940a636
Size
unknown

Document data

ID
2067
Core
obj
Type
drawing
DTO data
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    "stage": "normalized",
    "title": "Raby Castle, the Seat of the Earl of Darlington",
    "description": "Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful \"house portraits.\" It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in 1818, it included a mounted huntsman in the foreground. Turner subsequently painted over this figure after his work had been denounced as a \"detestable fox-hunting scene.\" Raby Castle, a ca. 1380 structure, is located in County Durham, England.",
    "provenance": "3rd Earl of Darlington, 1817-1818, by commission; Widow of the Duke of Cleveland [date and mode of acquisition unknown]; Mssrs. Wallis, French Gallery, London, 1899, by purchase [from the widow of the Duke of Cleveland]; W. Scott and Sons (?), Montreal, 1899 [exhibited there November, 1899]; Henry Walters, Baltimore, ca. 1899, by purchase; Walters Art Museum, 1931, by bequest.",
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}

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Document identity
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Document source metadata
{
    "id": "2067",
    "sourceUrl": "https://purl.thewalters.org/art/37.41",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Raby Castle, the Seat of the Earl of Darlington",
    "description": "Before he painted Romantic subjects drawn from classical, biblical, literary, and contemporary sources, Turner specialized in topographical views. This work, commissioned by the third earl of Darlington, is one of Turner's most successful \"house portraits.\" It is also one of the first works in which he fully exploits the dramatic potential of the sky. The earl, an avid sportsman who reportedly hunted six days a week, may have influenced Turner's rendering of the scene. When the painting was first exhibited at the Royal Academy in 1818, it included a mounted huntsman in the foreground. Turner subsequently painted over this figure after his work had been denounced as a \"detestable fox-hunting scene.\" Raby Castle, a ca. 1380 structure, is located in County Durham, England.",
    "provenance": "3rd Earl of Darlington, 1817-1818, by commission; Widow of the Duke of Cleveland [date and mode of acquisition unknown]; Mssrs. Wallis, French Gallery, London, 1899, by purchase [from the widow of the Duke of Cleveland]; W. Scott and Sons (?), Montreal, 1899 [exhibited there November, 1899]; Henry Walters, Baltimore, ca. 1899, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1817",
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Document source extras
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    ]
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Page context
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