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Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference. These words, which shaped how Miller’s contemporaries viewed the watercolors, reveal the racism and sexism embedded in 19th-century exploration and colonization of the western part of what is today the United States."The sketch may be said to represent a small slice of an Indian paradise; - Indian women, horses, a stream of water, shade trees, and the broad prairie to the right, on which at times may be seen countless herds of Buffalo, Elk, and deer." A.J. Miller, extracted from "The West of Alfred Jacob Miller" (1837).In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- ab03c7f7372a0e1a
- Size
- unknown
Document data
- ID
- 20884
- Core
- obj
- Type
- drawing
DTO data
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"contentType": "drawing",
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"title": "Scene on \"\"Big Sandy\"\" River",
"description": "Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference. These words, which shaped how Miller’s contemporaries viewed the watercolors, reveal the racism and sexism embedded in 19th-century exploration and colonization of the western part of what is today the United States.\"The sketch may be said to represent a small slice of an Indian paradise; - Indian women, horses, a stream of water, shade trees, and the broad prairie to the right, on which at times may be seen countless herds of Buffalo, Elk, and deer.\" A.J. Miller, extracted from \"The West of Alfred Jacob Miller\" (1837).In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "20884",
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"contentType": "drawing",
"stage": "normalized",
"title": "Scene on \"\"Big Sandy\"\" River",
"description": "Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference. These words, which shaped how Miller’s contemporaries viewed the watercolors, reveal the racism and sexism embedded in 19th-century exploration and colonization of the western part of what is today the United States.\"The sketch may be said to represent a small slice of an Indian paradise; - Indian women, horses, a stream of water, shade trees, and the broad prairie to the right, on which at times may be seen countless herds of Buffalo, Elk, and deer.\" A.J. Miller, extracted from \"The West of Alfred Jacob Miller\" (1837).In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.",
"provenance": "William T. Walters, Baltimore, 1858-1860, by commission; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"inscriptions": "[Monogram] Lower left: AJMiller; [Number] Lower left: 13",
"med": "watercolor heightened with white on paper",
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Page context
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