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Millet first gained widespread notoriety with his iconic image of a sower shown at the 1850/51 Paris Salon. In this pastel version, he integrates the sower into the landscape around Barbizon with a harrower, a flock of crows, and the tower of Chailly visible in the distance. Millet built up his composition with a network of black chalk lines before adding his pastels.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 54e63486e9903e99
- Size
- unknown
Document data
- ID
- 21057
- Core
- obj
- Type
- drawing
DTO data
{
"id": "21057",
"sourceUrl": "https://purl.thewalters.org/art/37.905",
"contentType": "drawing",
"stage": "normalized",
"title": "The Sower",
"description": "Millet first gained widespread notoriety with his iconic image of a sower shown at the 1850/51 Paris Salon. In this pastel version, he integrates the sower into the landscape around Barbizon with a harrower, a flock of crows, and the tower of Chailly visible in the distance. Millet built up his composition with a network of black chalk lines before adding his pastels.",
"provenance": "Montaignac, Paris; purchased by William T. Walters (through George A. Lucas as agent), Baltimore, June 9, 1884 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 588.",
"date": "ca. 1865",
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"rightsUri": "CC0",
"language": "en",
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"dimensionsRaw": "H: 17 1/8 × W: 21 1/16 in. (43.5 × 53.5 cm); Framed (with buildup), H: 28 3/4 × W: 32 5/16 × D: 2 15/16 in. (73 × 82 × 7.5 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "21057",
"label": "The Sower",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.905"
}
Document source metadata
{
"id": "21057",
"sourceUrl": "https://purl.thewalters.org/art/37.905",
"contentType": "drawing",
"stage": "normalized",
"title": "The Sower",
"description": "Millet first gained widespread notoriety with his iconic image of a sower shown at the 1850/51 Paris Salon. In this pastel version, he integrates the sower into the landscape around Barbizon with a harrower, a flock of crows, and the tower of Chailly visible in the distance. Millet built up his composition with a network of black chalk lines before adding his pastels.",
"provenance": "Montaignac, Paris; purchased by William T. Walters (through George A. Lucas as agent), Baltimore, June 9, 1884 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 588.",
"date": "ca. 1865",
"citationUrl": "https://purl.thewalters.org/art/37.905",
"rightsUri": "CC0",
"language": "en",
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"drawings (visual works)"
],
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],
"dimensionsRaw": "H: 17 1/8 × W: 21 1/16 in. (43.5 × 53.5 cm); Framed (with buildup), H: 28 3/4 × W: 32 5/16 × D: 2 15/16 in. (73 × 82 × 7.5 cm)"
}
Document source extras
{
"inscriptions": "\"\"J.F. Millet\"\" in chalk in lower right",
"med": "pastel and crayon or pastel on cream buff paper",
"creator_ids": [
"6410"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
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]
}
Page context
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