Ask the Scholar

Page 2 of 3
I can add historical knowledge about this page.

Page image

Page 2

Document source description

Frederick Edwin Church studied landscape painting under Thomas Cole, a member of the Hudson River School. Church's unique approach to landscape painting aimed to give the viewer a window onto the beauty of the Americas. He combined precise botanical and geological observation with romanticism, drawing insight and direction from the scientist Alexander von Humboldt. Church wrote in a letter to Erasmus Palmer that Humboldt was able to "share the pleasure which a sensitive and contemplative spirit experiences in the presence of the creation… to make him feel more vividly the harmony of the physical forces." (Letter to Erasmus Palmer, July 7, 1869).The scene was probably taken from Ecuador or Colombia and would appear to refer to Church's trip to South America in 1857, two years before the date of this drawing (he also traveled there in 1853). It was formerly housed in one of William T. Walters' drawings albums.

Page data

Page
2
Source index
0
Type
photo
Media ID
8f5daa25ed9501f3
Size
unknown

Document data

ID
21470
Core
obj
Type
drawing
DTO data
{
    "id": "21470",
    "sourceUrl": "https://purl.thewalters.org/art/37.1534",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Ruined Church in the Tropics",
    "description": "Frederick Edwin Church studied landscape painting under Thomas Cole, a member of the Hudson River School.  Church's unique approach to landscape painting aimed to give the viewer a window onto the beauty of the Americas.  He combined precise botanical and geological observation with romanticism, drawing insight and direction from the scientist Alexander von Humboldt. Church wrote in a letter to Erasmus Palmer that Humboldt was able to \"share the pleasure which a sensitive and contemplative spirit experiences in the presence of the creation… to make him feel more vividly the harmony of the physical forces.\" (Letter to Erasmus Palmer, July 7, 1869).The scene was probably taken from Ecuador or Colombia and would appear to refer to Church's trip to South America in 1857, two years before the date of this drawing (he also traveled there in 1853). It was formerly housed in one of William T. Walters' drawings albums.",
    "provenance": "William T. Walters, Baltimore [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.",
    "date": "1859",
    "citationUrl": "https://purl.thewalters.org/art/37.1534",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "drawings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_37.1534_Fnt_BW_C41.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_37.1534_Fnt_BW_C41.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.1534_Fnt_BW_C41.jpg",
    "imageCount": 3,
    "pageCount": 3,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 16.5,
            "height": 15.3
        }
    ],
    "dimensionsRaw": "H: 6 1/2 × W: 6 in. (16.5 × 15.3 cm); Mat H: 19 1/4 × W: 14 1/4 in. (48.9 × 36.2 cm)"
}

Context sent to Scholar

Document identity
{
    "localId": "21470",
    "label": "Ruined Church in the Tropics",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.1534"
}
Document source metadata
{
    "id": "21470",
    "sourceUrl": "https://purl.thewalters.org/art/37.1534",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Ruined Church in the Tropics",
    "description": "Frederick Edwin Church studied landscape painting under Thomas Cole, a member of the Hudson River School.  Church's unique approach to landscape painting aimed to give the viewer a window onto the beauty of the Americas.  He combined precise botanical and geological observation with romanticism, drawing insight and direction from the scientist Alexander von Humboldt. Church wrote in a letter to Erasmus Palmer that Humboldt was able to \"share the pleasure which a sensitive and contemplative spirit experiences in the presence of the creation… to make him feel more vividly the harmony of the physical forces.\" (Letter to Erasmus Palmer, July 7, 1869).The scene was probably taken from Ecuador or Colombia and would appear to refer to Church's trip to South America in 1857, two years before the date of this drawing (he also traveled there in 1853). It was formerly housed in one of William T. Walters' drawings albums.",
    "provenance": "William T. Walters, Baltimore [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.",
    "date": "1859",
    "citationUrl": "https://purl.thewalters.org/art/37.1534",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "drawings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_37.1534_Fnt_BW_C41.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_37.1534_Fnt_BW_C41.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.1534_Fnt_BW_C41.jpg",
    "imageCount": 3,
    "pageCount": 3,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 16.5,
            "height": 15.3
        }
    ],
    "dimensionsRaw": "H: 6 1/2 × W: 6 in. (16.5 × 15.3 cm); Mat H: 19 1/4 × W: 14 1/4 in. (48.9 × 36.2 cm)"
}
Document source extras
{
    "inscriptions": "[Signature and date] Lower right: F.E. Church. / Dec. 59",
    "med": "pencil on paper with Chinese white",
    "creator_ids": [
        "4673"
    ],
    "collection_ids": [
        "EAN"
    ],
    "exhibition_ids": [
        "2160",
        "2703",
        "3271"
    ]
}
Page context
{
    "seq": 2,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PS3_37.1534_FntCc_DD_KI13.jpg",
    "mediaId": "8f5daa25ed9501f3"
}