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The cycle of the seasons fascinated 17th-century Europeans, but the shifts in the tilt of the earth that causes them were not understood. Winter was especially hard then; Europe was in the middle of a little ice age and it was much colder than today. The Southern Netherlands was also in the midst of a war, and ill-paid soldiers terrorized the peasants.Here, the Antwerp landscapist Joos de Momper uses subdued color and tonal unity to suggest the bleakness of a late winter afternoon, complemented by an intricate, stark pattern of barren branches against the sky. Landscape was a popular subject in antwerp in these years. De Momper's works are characterized by this moody, tonal quality rather than by attention to lush vegetation.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 8902b51efc202803
- Size
- unknown
Document data
- ID
- 22565
- Core
- obj
- Type
- drawing
DTO data
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"title": "Winter Landscape",
"description": "The cycle of the seasons fascinated 17th-century Europeans, but the shifts in the tilt of the earth that causes them were not understood. Winter was especially hard then; Europe was in the middle of a little ice age and it was much colder than today. The Southern Netherlands was also in the midst of a war, and ill-paid soldiers terrorized the peasants.Here, the Antwerp landscapist Joos de Momper uses subdued color and tonal unity to suggest the bleakness of a late winter afternoon, complemented by an intricate, stark pattern of barren branches against the sky. Landscape was a popular subject in antwerp in these years. De Momper's works are characterized by this moody, tonal quality rather than by attention to lush vegetation.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Document identity
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Document source metadata
{
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"title": "Winter Landscape",
"description": "The cycle of the seasons fascinated 17th-century Europeans, but the shifts in the tilt of the earth that causes them were not understood. Winter was especially hard then; Europe was in the middle of a little ice age and it was much colder than today. The Southern Netherlands was also in the midst of a war, and ill-paid soldiers terrorized the peasants.Here, the Antwerp landscapist Joos de Momper uses subdued color and tonal unity to suggest the bleakness of a late winter afternoon, complemented by an intricate, stark pattern of barren branches against the sky. Landscape was a popular subject in antwerp in these years. De Momper's works are characterized by this moody, tonal quality rather than by attention to lush vegetation.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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Page context
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