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Source Description
This tender devotional image of the Madonna and Child before a gold curtain functioning as a cloth of honor retains its original frame in the shape a window frame in a newly stylish format that looked back to classical antiquity for its vocabulary. Lippi here exploits the window analogy by depicting the Madonna's halo cut off by the window frame and by the Christ Child standing on the window sill so the figures are at once very close to us but kept at a defined distance. Inscribed along the frame's base in Latin are the words spoken to Mary by the Archangel Gabriel: "Hail Mary full of grace. The Lord is with thee." The star on the Virgin's blue robe alludes to the "Stella Maris," or "Star of the Sea," a popular prayer dedicated to her.Filippo Lippi was a Carmelite friar and one of the leading painters of 15th-century Florence. Famous for his innovative naturalism, Lippi here employs a more traditional style with an abundant use of gold that recalls devotional paintings from the early 15th century. The extensive use of gold was probably requested by a patron with more conservative tastes.
Scholar Source Context
Document identity
localId
22808
label
Madonna and Child
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
22808
sourceUrl
contentType
drawing
stage
normalized
title
Madonna and Child
description
This tender devotional image of the Madonna and Child before a gold curtain functioning as a cloth of honor retains its original frame in the shape a window frame in a newly stylish format that looked back to classical antiquity for its vocabulary. Lippi here exploits the window analogy by depicting the Madonna's halo cut off by the window frame and by the Christ Child standing on the window sill so the figures are at once very close to us but kept at a defined distance. Inscribed along the frame's base in Latin are the words spoken to Mary by the Archangel Gabriel: "Hail Mary full of grace. The Lord is with thee." The star on the Virgin's blue robe alludes to the "Stella Maris," or "Star of the Sea," a popular prayer dedicated to her.Filippo Lippi was a Carmelite friar and one of the leading painters of 15th-century Florence. Famous for his innovative naturalism, Lippi here employs a more traditional style with an abundant use of gold that recalls devotional paintings from the early 15th century. The extensive use of gold was probably requested by a patron with more conservative tastes.
provenance
Marquess Filippo Marignoli, Rome and Spoleto, until 1898 [mode of acquisition unknown]; Marquess Francesco Marignoli, 1898 [mode of acquisition unknown]; Don Marcello Massarenti Collection, Rome, 1899 [mode of acquisition unknown] [1900 catalogue supplement: no. 31]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1446-1447 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
panel paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
127
height
87
depth
2.8
dimensionsRaw
H with frame: 50 x W: 34 1/4 x D: 1 1/8 in. (127 x 87 x 2.8 cm); Painted surface H: 29 3/4 x W: 20 9/16 in. (75.5 x 52.3 cm); Panel H: 45 9/16 x W: 28 7/8 in. (115.7 x 73.4 cm)
Source extras
inscriptions
Inscribed on original wood frame: AVE GRATIA PLENA DOMINVS TECVM; [Translation] Hail Mary full of grace our lord is with thee.
med
tempera and gold leaf on wood panel
creator_ids
6707
6707
collection_ids
REN
exhibition_ids
13
Single page context
seq
1
pageIndex
0
type
photo
mediaId
72cf08e6602696d1