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These scenes from earliest Christian history are set amid fantasy architecture, mysteriously lit under dark skies. The small scale of the figures makes the buildings seem enormous. De Nomé has imagined ancient streetscapes of Athens and Jerusalem as lined with sculpture and rich architectural ornament. In the scene of St. Paul preaching (Walters 37.328), a circular pagan temple stands next to a lavish entrance to a synagogue, with a statue of Moses at the left that appears to be adapted from the famous Well of Moses of 1395-1404 by Claus Sluter in Dijon. De Nomé's mixture of classical and late medieval Gothic elements from his homeland adds to the uniqueness and eccentricity of the compositions. The small size of the copper plates and the complexity of the compositions call attention to the artist's virtuosity and skill.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 343, pp. 466-467.

Page data

Page
1
Source index
0
Type
photo
Media ID
2f7017232338e0b8
Size
unknown

Document data

ID
23519
Core
obj
Type
drawing
DTO data
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    "id": "23519",
    "sourceUrl": "https://purl.thewalters.org/art/37.329",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Head of Saint John the Baptist Presented to Salome",
    "description": "These scenes from earliest Christian history are set amid fantasy architecture, mysteriously lit under dark skies. The small scale of the figures makes the buildings seem enormous. De Nomé has imagined ancient streetscapes of Athens and Jerusalem as lined with sculpture and rich architectural ornament. In the scene of St. Paul preaching (Walters 37.328), a circular pagan temple stands next to a lavish entrance to a synagogue, with a statue of Moses at the left that appears to be adapted from the famous Well of Moses of 1395-1404 by Claus Sluter in Dijon.  \tDe Nomé's mixture of classical and late medieval Gothic elements from his homeland adds to the uniqueness and eccentricity of the compositions. The small size of the copper plates and the complexity of the compositions call attention to the artist's virtuosity and skill.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 343, pp. 466-467.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 863, as Flemish]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1620-1624 (Baroque)",
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    "language": "en",
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    "imageCount": 1,
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    "source": "import",
    "dimensions": [
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            "units": "cm",
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        }
    ],
    "dimensionsRaw": "Painted surface H: 7 7/16 x W: 9 7/16 in. (18.9 x 24 cm)"
}

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Document identity
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    "localId": "23519",
    "label": "Head of Saint John the Baptist Presented to Salome",
    "core": "obj",
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Document source metadata
{
    "id": "23519",
    "sourceUrl": "https://purl.thewalters.org/art/37.329",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Head of Saint John the Baptist Presented to Salome",
    "description": "These scenes from earliest Christian history are set amid fantasy architecture, mysteriously lit under dark skies. The small scale of the figures makes the buildings seem enormous. De Nomé has imagined ancient streetscapes of Athens and Jerusalem as lined with sculpture and rich architectural ornament. In the scene of St. Paul preaching (Walters 37.328), a circular pagan temple stands next to a lavish entrance to a synagogue, with a statue of Moses at the left that appears to be adapted from the famous Well of Moses of 1395-1404 by Claus Sluter in Dijon.  \tDe Nomé's mixture of classical and late medieval Gothic elements from his homeland adds to the uniqueness and eccentricity of the compositions. The small size of the copper plates and the complexity of the compositions call attention to the artist's virtuosity and skill.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 343, pp. 466-467.",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 863, as Flemish]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1620-1624 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.329",
    "rightsUri": "CC0",
    "language": "en",
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        }
    ],
    "dimensionsRaw": "Painted surface H: 7 7/16 x W: 9 7/16 in. (18.9 x 24 cm)"
}
Document source extras
{
    "inscriptions": [
        "[Transcription] Inscribed on Saint John the Baptist",
        "lower center: S. MATHEO CAP XIIII; [Translation] Gospel of St. Matthew",
        "Chapter 14"
    ],
    "med": "oil on copper",
    "creator_ids": [
        "3548"
    ],
    "collection_ids": [
        "BAR"
    ],
    "exhibition_ids": [
        "1994",
        "2252",
        "2253",
        "335",
        "3079"
    ]
}
Page context
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