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A direct link between the Barbizon generation and the impressionists, Boudin encouraged Monet to paint landscapes directly from nature. This harbor scene was painted in 1874, the same year as the first impressionist exhibition, which included works by Boudin. In this scene, the evocation of the grays and pinks of a cloudy day aptly demonstrates why Corot called Boudin the "Monarch of the Skies."
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- e57b7afde93d7afc
- Size
- unknown
Document data
- ID
- 23563
- Core
- obj
- Type
- drawing
DTO data
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"id": "23563",
"sourceUrl": "https://purl.thewalters.org/art/37.841",
"contentType": "drawing",
"stage": "normalized",
"title": "Bordeaux, the Harbor",
"description": "A direct link between the Barbizon generation and the impressionists, Boudin encouraged Monet to paint landscapes directly from nature. This harbor scene was painted in 1874, the same year as the first impressionist exhibition, which included works by Boudin. In this scene, the evocation of the grays and pinks of a cloudy day aptly demonstrates why Corot called Boudin the \"Monarch of the Skies.\"",
"provenance": "Cyrus J. Lawrence, New York; Sale, American Art Association, Mendelssohn Hall, New York, January 21 and 22, 1910, no. 58; Henry Walters, Baltimore, 1910, by purchase [under the alias of Henry Chester]; Walters Art Museum, 1931, by bequest.",
"date": "1874",
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"language": "en",
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"source": "import",
"dimensions": [
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"units": "cm",
"width": 30.3,
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],
"dimensionsRaw": "Painted surface: H: 11 15/16 × W: 18 1/4 in. (30.3 × 46.3 cm)Framed: H: 21 3/8 × W: 27 5/8 × D: 4 3/4 in. (54.3 × 70.2 × 12.1 cm)"
}
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Document identity
{
"localId": "23563",
"label": "Bordeaux, the Harbor",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.841"
}
Document source metadata
{
"id": "23563",
"sourceUrl": "https://purl.thewalters.org/art/37.841",
"contentType": "drawing",
"stage": "normalized",
"title": "Bordeaux, the Harbor",
"description": "A direct link between the Barbizon generation and the impressionists, Boudin encouraged Monet to paint landscapes directly from nature. This harbor scene was painted in 1874, the same year as the first impressionist exhibition, which included works by Boudin. In this scene, the evocation of the grays and pinks of a cloudy day aptly demonstrates why Corot called Boudin the \"Monarch of the Skies.\"",
"provenance": "Cyrus J. Lawrence, New York; Sale, American Art Association, Mendelssohn Hall, New York, January 21 and 22, 1910, no. 58; Henry Walters, Baltimore, 1910, by purchase [under the alias of Henry Chester]; Walters Art Museum, 1931, by bequest.",
"date": "1874",
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"rightsUri": "CC0",
"language": "en",
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"oil paintings (visual works)"
],
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],
"dimensionsRaw": "Painted surface: H: 11 15/16 × W: 18 1/4 in. (30.3 × 46.3 cm)Framed: H: 21 3/8 × W: 27 5/8 × D: 4 3/4 in. (54.3 × 70.2 × 12.1 cm)"
}
Document source extras
{
"inscriptions": "[Signature] Lower right: E. Boudin; [Inscription] Lower right: Bordeaux; [Signature] Partially obsucred by a paint film is an earlier signature slightly above the present signature",
"med": "oil on canvas",
"creator_ids": [
"8312"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
"366",
"1955",
"760",
"2749",
"13"
]
}
Page context
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