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In creating this historical portrayal of the Roman Forum, Panini, the most celebrated Roman landscape painter of his time, eliminated some modern buildings in order not to obstruct his vista, which stretches from the Arch of Septimius Severus to the Column of the Temple of Saturn. Apparently in order to maximize interest, he also added monuments from miles away. The companion View of the Colosseum is handled in much the same way.The ancient structures are given new life by Rome's inhabitants--strolling gentlemen contemplating the antiquities, perhaps the tourists who will purchase such paintings as this, and gypsies and peasants who simply make the ruins their home.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 410, pp. 520-521.

Page data

Page
1
Source index
0
Type
photo
Media ID
366b4a6e5a1ac59e
Size
unknown

Document data

ID
24230
Core
obj
Type
drawing
DTO data
{
    "id": "24230",
    "sourceUrl": "https://purl.thewalters.org/art/37.2366",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "View of the Roman Forum",
    "description": "In creating this historical portrayal of the Roman Forum, Panini, the most celebrated Roman landscape painter of his time, eliminated some modern buildings in order not to obstruct his vista, which stretches from the Arch of Septimius Severus to the Column of the Temple of Saturn. Apparently in order to maximize interest, he also added monuments from miles away. The companion View of the Colosseum is handled in much the same way.The ancient structures are given new life by Rome's inhabitants--strolling gentlemen contemplating the antiquities, perhaps the tourists who will purchase such paintings as this, and gypsies and peasants who simply make the ruins their home.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 410, pp. 520-521.",
    "provenance": "Tyrwhitt-Drake, Shardeloes, Amersham, Buckinghamshire [date and mode of acquisition unknown]; Agnew, London [date and mode of acquisition unknown]; David Koetser, London and New York [date and mode of acquisition unknown]; Walters Art Museum, 1954, by purchase.",
    "date": "1747 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.2366",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)"
    ],
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    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.2366_Fnt_TR_T87III.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.2366_Fnt_TR_T87III.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 81.9,
            "height": 133.5
        }
    ],
    "dimensionsRaw": "Painted surface H: 32 1/4 x W: 52 9/16 in. (81.9 x 133.5 cm); Stretcher H: 32 5/16 x W: 52 15/16 in. (82 x 134.5 cm)"
}

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Document identity
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    "localId": "24230",
    "label": "View of the Roman Forum",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.2366"
}
Document source metadata
{
    "id": "24230",
    "sourceUrl": "https://purl.thewalters.org/art/37.2366",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "View of the Roman Forum",
    "description": "In creating this historical portrayal of the Roman Forum, Panini, the most celebrated Roman landscape painter of his time, eliminated some modern buildings in order not to obstruct his vista, which stretches from the Arch of Septimius Severus to the Column of the Temple of Saturn. Apparently in order to maximize interest, he also added monuments from miles away. The companion View of the Colosseum is handled in much the same way.The ancient structures are given new life by Rome's inhabitants--strolling gentlemen contemplating the antiquities, perhaps the tourists who will purchase such paintings as this, and gypsies and peasants who simply make the ruins their home.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 410, pp. 520-521.",
    "provenance": "Tyrwhitt-Drake, Shardeloes, Amersham, Buckinghamshire [date and mode of acquisition unknown]; Agnew, London [date and mode of acquisition unknown]; David Koetser, London and New York [date and mode of acquisition unknown]; Walters Art Museum, 1954, by purchase.",
    "date": "1747 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.2366",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "oil paintings (visual works)"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL1_37.2366_Fnt_TR_T87III.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_37.2366_Fnt_TR_T87III.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_37.2366_Fnt_TR_T87III.jpg",
    "imageCount": 1,
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    "dimensions": [
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    ],
    "dimensionsRaw": "Painted surface H: 32 1/4 x W: 52 9/16 in. (81.9 x 133.5 cm); Stretcher H: 32 5/16 x W: 52 15/16 in. (82 x 134.5 cm)"
}
Document source extras
{
    "inscriptions": [
        "[Transcription] Inscribed on the block of stone at the lower left corner: I.P.PANINI ROMAE",
        "1747; [Transcription] On the architrave of the Temple of Saturn near the right edge: SENA[TVS]",
        "INCENDI[O] CO[NSVMPTVM]; [Translation] The Senate destroyed by fire."
    ],
    "RelatedObjects": 24100,
    "med": "oil on canvas",
    "creator_ids": [
        "6826"
    ],
    "collection_ids": [
        "BAR"
    ],
    "exhibition_ids": [
        "2159",
        "2260",
        "2261",
        "2744",
        "2835"
    ]
}
Page context
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