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Turning her gaze towards the spectator with one hand resting on her hip, this noblewoman has a stately, matronly appearance that is intended to express personal discipline and dignity. Her lavish costume-with a scarf tied to her hair, a brocade dress set with pearls and a feather, and jeweled pendants-communicates her social status, as does the column, suggestive of a palatial setting, a compositional device developed during the 16th century to communicate aristocratic status.For more information on this portrait, please see Federico Zeri's 1976 catalogue no. 421, pp. 531-532.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 02e1d944ab9b1d3c
- Size
- unknown
Document data
- ID
- 2623
- Core
- obj
- Type
- drawing
DTO data
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"title": "Portrait of a Noblewoman",
"description": "Turning her gaze towards the spectator with one hand resting on her hip, this noblewoman has a stately, matronly appearance that is intended to express personal discipline and dignity. Her lavish costume-with a scarf tied to her hair, a brocade dress set with pearls and a feather, and jeweled pendants-communicates her social status, as does the column, suggestive of a palatial setting, a compositional device developed during the 16th century to communicate aristocratic status.For more information on this portrait, please see Federico Zeri's 1976 catalogue no. 421, pp. 531-532.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 778, as Portrait of an Actress, by Largillière]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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}
Context sent to Scholar
Document identity
{
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"label": "Portrait of a Noblewoman",
"core": "obj",
"dtoType": "drawing",
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Document source metadata
{
"id": "2623",
"sourceUrl": "https://purl.thewalters.org/art/37.410",
"contentType": "drawing",
"stage": "normalized",
"title": "Portrait of a Noblewoman",
"description": "Turning her gaze towards the spectator with one hand resting on her hip, this noblewoman has a stately, matronly appearance that is intended to express personal discipline and dignity. Her lavish costume-with a scarf tied to her hair, a brocade dress set with pearls and a feather, and jeweled pendants-communicates her social status, as does the column, suggestive of a palatial setting, a compositional device developed during the 16th century to communicate aristocratic status.For more information on this portrait, please see Federico Zeri's 1976 catalogue no. 421, pp. 531-532.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 778, as Portrait of an Actress, by Largillière]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1750 (Baroque)",
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Document source extras
{
"med": "oil on canvas",
"creator_ids": [
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],
"collection_ids": [
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"exhibition_ids": []
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Page context
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