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Source Description

This woman’s affluence is seen in her embroidered cap, pearl necklace, and the gold chain from which hangs a pierced metal container, or pomander. Portrait of a Young Woman with a Pink (WAM acc. no. 37.1847) includes one as well. Pomanders held sweet-smelling herbs or perfumes to combat the foul smells generated by limited personal hygiene. The word "pomander" actually refers to the contents of the ball; it comes from the French pomme d'amber, i.e. apple of amber, not the resin amber but ambergris, the waxy substance from the stomachs of sperm whales that was a basic ingredient in making perfume in the past. The arm of the chair upon which her hand rests appears to be decorated with a hexagram. In the sixteen century a hexagram might be used by Christians, Jews, and Muslim alike; the symbol only started to be identified more exclusively with Jews as the "Star of David" in the following century. The woman's pose, angled slightly to her right, might suggest that the portrait was initially one of a pair with the woman's husband to our left. That this is a three-quarters portrait rather than than just the standard bust or half-length indicates that it would have been more expensive and therefore is a subtle indication of status. The severity of her costume and demeanor is characterisitc for this period in the Netherlands..

Scholar Source Context

Document identity
localId
26892
label
Portrait of a Woman with a Pomander
core
obj
dtoType
drawing
pageCount
2
Source metadata
id
26892
contentType
drawing
stage
normalized
title
Portrait of a Woman with a Pomander
description
This woman’s affluence is seen in her embroidered cap, pearl necklace, and the gold chain from which hangs a pierced metal container, or pomander. Portrait of a Young Woman with a Pink (WAM acc. no. 37.1847) includes one as well. Pomanders held sweet-smelling herbs or perfumes to combat the foul smells generated by limited personal hygiene. The word "pomander" actually refers to the contents of the ball; it comes from the French pomme d'amber, i.e. apple of amber, not the resin amber but ambergris, the waxy substance from the stomachs of sperm whales that was a basic ingredient in making perfume in the past. The arm of the chair upon which her hand rests appears to be decorated with a hexagram. In the sixteen century a hexagram might be used by Christians, Jews, and Muslim alike; the symbol only started to be identified more exclusively with Jews as the "Star of David" in the following century. The woman's pose, angled slightly to her right, might suggest that the portrait was initially one of a pair with the woman's husband to our left. That this is a three-quarters portrait rather than than just the standard bust or half-length indicates that it would have been more expensive and therefore is a subtle indication of status. The severity of her costume and demeanor is characterisitc for this period in the Netherlands..
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1563 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
portraits
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
97.8
height
70.5
dimensionsRaw
H: 38 1/2 x W: 27 3/4 in. (97.8 x 70.5 cm)
Source extras
med
oil on panel
creator_ids
6505
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
a86c10b6576e931e
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
76108444531a5f48
hasOcr
no
hasDescription
no