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Source Description
This small panel depicts the New Testament episode the “Last Supper”—Christ’s final meal with his twelve disciples before his arrest and subsequent crucifixion. Christ is seated at the center of the table raising his hand in a gesture of blessing. The disciple who betrayed him, Judas, is seated on the opposite end of the table, notably without a halo and holding a bag of money behind his back. The money is the payment Judas received for turning Christ in to the Roman authorities. The panel was originally joined by others showing additional scenes from the life of Christ. At least one other, depicting "Christ in the Garden of Gethsemane", survives in a private collection. The panels were certainly parts of a larger altarpiece and perhaps come from its “predella,” or illustrated base. Antonio Orsini was formerly known as the Master of the Carminati Coronation, after a painting of the "Coronation of the Virgin" in the Carminati Collection, Milan. Born in Venice to a Milanese family, Orsini is documented between 1432 and 1491 (when he died) in the central Italian city Ferrara. His work maintained the compostional approach of the late 1300s in his disregard for rationally constructed space using the system of linear perspective, which had become conventional throughout most of Italy by the mid-1400s. Note, for instance, the implausible construction of the building in the Walters’ panel.
Scholar Source Context
Document identity
localId
26974
label
Last Supper
core
obj
dtoType
drawing
citationUrl
pageCount
2
Source metadata
id
26974
sourceUrl
contentType
drawing
stage
normalized
title
Last Supper
description
This small panel depicts the New Testament episode the “Last Supper”—Christ’s final meal with his twelve disciples before his arrest and subsequent crucifixion. Christ is seated at the center of the table raising his hand in a gesture of blessing. The disciple who betrayed him, Judas, is seated on the opposite end of the table, notably without a halo and holding a bag of money behind his back. The money is the payment Judas received for turning Christ in to the Roman authorities. The panel was originally joined by others showing additional scenes from the life of Christ. At least one other, depicting "Christ in the Garden of Gethsemane", survives in a private collection. The panels were certainly parts of a larger altarpiece and perhaps come from its “predella,” or illustrated base. Antonio Orsini was formerly known as the Master of the Carminati Coronation, after a painting of the "Coronation of the Virgin" in the Carminati Collection, Milan. Born in Venice to a Milanese family, Orsini is documented between 1432 and 1491 (when he died) in the central Italian city Ferrara. His work maintained the compostional approach of the late 1300s in his disregard for rationally constructed space using the system of linear perspective, which had become conventional throughout most of Italy by the mid-1400s. Note, for instance, the implausible construction of the building in the Walters’ panel.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 38; 1897 catalogue: no. 37, as Pesellino]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1440 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
panel paintings
fragments
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
23.5
height
29.6
depth
0.7
dimensionsRaw
Painted surface H: 9 1/4 x W: 11 5/8 x D excluding modern reinforcement: 1/4 in. (23.5 x 29.6 x 0.7 cm)
Source extras
med
tempera and gold leaf on wood panel
creator_ids
34864
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
9aa4c077f9329721
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
27835e509b971997
hasOcr
no
hasDescription
no