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These refined figures of St. Benedict and St. John the Baptist are from an altarpiece commissioned in 1487 for the high altar of the church of St. Giuliano in the town of Fermo on the Adriatic coast. Vittore was a follower of his more famous brother Carlo Crivelli. These figures are more staid than those of this brother but the emphasis on drawing visible through the paint is like his brother's; for example the curly hair of John's chest and the prominence of the shading using parallel lines running upper right to lower right. That orientation tells that he was right-handed!

Page data

Page
2
Source index
0
Type
photo
Media ID
ebd3553602a5dbb8
Size
unknown

Document data

ID
27786
Core
obj
Type
drawing
DTO data
{
    "id": "27786",
    "sourceUrl": "https://purl.thewalters.org/art/37.709",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Saint Benedict and Saint John the Baptist",
    "description": "These refined figures of St. Benedict and St. John the Baptist are from an altarpiece commissioned in 1487 for the high altar of the church of St. Giuliano in the town of Fermo on the Adriatic coast. Vittore was a follower of his more famous brother Carlo Crivelli. These figures are more staid than those of this brother but the emphasis on drawing visible through the paint is like his brother's; for example the curly hair of John's chest and the prominence of the shading using parallel lines running upper right to lower right. That orientation tells that he was right-handed!",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 68-69; 1897 catalogue: no. 46, as Verrocchio]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1487-1492 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.709",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "panel paintings",
        "polyptychs"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_37.709B_Fnt_BW.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_37.709B_Fnt_BW.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.709B_Fnt_BW.jpg",
    "imageCount": 5,
    "pageCount": 5,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 123.4,
            "height": 39.4,
            "depth": 1
        }
    ],
    "dimensionsRaw": "St. Benedict painted surface H: 48 9/16 x W: 15 1/2 x Approx. D excluding cradle: 3/8 in. (123.4 x 39.4 x 1 cm); St. John painted surface H: 48 1/2 x W: 15 5/8 x D excluding cradle: 1/2 in. (123.2 x 39.7 x 1.2 cm)"
}

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Document identity
{
    "localId": "27786",
    "label": "Saint Benedict and Saint John the Baptist",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.709"
}
Document source metadata
{
    "id": "27786",
    "sourceUrl": "https://purl.thewalters.org/art/37.709",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Saint Benedict and Saint John the Baptist",
    "description": "These refined figures of St. Benedict and St. John the Baptist are from an altarpiece commissioned in 1487 for the high altar of the church of St. Giuliano in the town of Fermo on the Adriatic coast. Vittore was a follower of his more famous brother Carlo Crivelli. These figures are more staid than those of this brother but the emphasis on drawing visible through the paint is like his brother's; for example the curly hair of John's chest and the prominence of the shading using parallel lines running upper right to lower right. That orientation tells that he was right-handed!",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 68-69; 1897 catalogue: no. 46, as Verrocchio]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1487-1492 (Renaissance)",
    "citationUrl": "https://purl.thewalters.org/art/37.709",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "panel paintings",
        "polyptychs"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_37.709B_Fnt_BW.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_37.709B_Fnt_BW.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.709B_Fnt_BW.jpg",
    "imageCount": 5,
    "pageCount": 5,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 123.4,
            "height": 39.4,
            "depth": 1
        }
    ],
    "dimensionsRaw": "St. Benedict painted surface H: 48 9/16 x W: 15 1/2 x Approx. D excluding cradle: 3/8 in. (123.4 x 39.4 x 1 cm); St. John painted surface H: 48 1/2 x W: 15 5/8 x D excluding cradle: 1/2 in. (123.2 x 39.7 x 1.2 cm)"
}
Document source extras
{
    "med": "Tempera with gold leaf and traces of oil paint on panel",
    "creator_ids": [
        "4258"
    ],
    "collection_ids": [
        "REN"
    ],
    "exhibition_ids": []
}
Page context
{
    "seq": 2,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PS1_37.709_FntAt_DD_T17-tms.jpg",
    "mediaId": "ebd3553602a5dbb8"
}