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The Roman "Campagna" was the countryside around Rome. From the 17th century, it had been a favored subject for the depiction of an idealized, timeless world inhabited by nymphs and shepherds. Jan Frans van Bloemen, a Flemish painter who settled in Rome and specialized in landscapes, painted such subjects. The costumes of the figures are suggestive of classical antiquity.For more information on this panel, please see Federico Zeri's 1976 catalogue no. 393, p. 508.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 776bc64a5f3ea1c9
- Size
- unknown
Document data
- ID
- 2823
- Core
- obj
- Type
- drawing
DTO data
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"title": "Landscape of the Roman \"\"Compagna\"\"",
"description": "The Roman \"Campagna\" was the countryside around Rome. From the 17th century, it had been a favored subject for the depiction of an idealized, timeless world inhabited by nymphs and shepherds. Jan Frans van Bloemen, a Flemish painter who settled in Rome and specialized in landscapes, painted such subjects. The costumes of the figures are suggestive of classical antiquity.For more information on this panel, please see Federico Zeri's 1976 catalogue no. 393, p. 508.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 258; 1897 catalogue: no. 599]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Document identity
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Document source metadata
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"title": "Landscape of the Roman \"\"Compagna\"\"",
"description": "The Roman \"Campagna\" was the countryside around Rome. From the 17th century, it had been a favored subject for the depiction of an idealized, timeless world inhabited by nymphs and shepherds. Jan Frans van Bloemen, a Flemish painter who settled in Rome and specialized in landscapes, painted such subjects. The costumes of the figures are suggestive of classical antiquity.For more information on this panel, please see Federico Zeri's 1976 catalogue no. 393, p. 508.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 258; 1897 catalogue: no. 599]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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Page context
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