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Chauvin specialized in idealized landscapes with classicized figures or antique themes. He based his art, however, on the direct perception of nature, making quick oil sketches like this one, done outside. Such oil sketches were not considered works of art in their own right; rather, they were kept by the artist for later use in the studio as a means of refreshing his memory or as a teaching aid. Today, these oil studies are more highly valued and collectible than the large-scale neoclassical landscapes for which they were originally mere preparatory studies, because they are the direct forerunners of impressionist painting.

Page data

Page
1
Source index
0
Type
photo
Media ID
25bcb4e7ce4b45ad
Size
unknown

Document data

ID
28800
Core
obj
Type
drawing
DTO data
{
    "id": "28800",
    "sourceUrl": "https://purl.thewalters.org/art/37.2771",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "View of a Gorge in Italy",
    "description": "Chauvin specialized in idealized landscapes with classicized figures or antique themes. He based his art, however, on the direct perception of nature, making quick oil sketches like this one, done outside. Such oil sketches were not considered works of art in their own right; rather, they were kept by the artist for later use in the studio as a means of refreshing his memory or as a teaching aid. Today, these oil studies are more highly valued and collectible than the large-scale neoclassical landscapes for which they were originally mere preparatory studies, because they are the direct forerunners of impressionist painting.",
    "provenance": "Hôtel Drouot Sale,  March 13, 1970 [no catalogue];  Marie-Madeleine Aubrun, 1970, by purchase; Hôtel Drouot Sale, November 27, 1998, lot. 54; Bertrand Gautier [Talabardon & Gautier], Paris, 1998, by purchase; Walters Art Museum, 2004, by purchase.",
    "date": "ca. 1810 (?)",
    "citationUrl": "https://purl.thewalters.org/art/37.2771",
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    "language": "en",
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}

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Document identity
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    "localId": "28800",
    "label": "View of a Gorge in Italy",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.2771"
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Document source metadata
{
    "id": "28800",
    "sourceUrl": "https://purl.thewalters.org/art/37.2771",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "View of a Gorge in Italy",
    "description": "Chauvin specialized in idealized landscapes with classicized figures or antique themes. He based his art, however, on the direct perception of nature, making quick oil sketches like this one, done outside. Such oil sketches were not considered works of art in their own right; rather, they were kept by the artist for later use in the studio as a means of refreshing his memory or as a teaching aid. Today, these oil studies are more highly valued and collectible than the large-scale neoclassical landscapes for which they were originally mere preparatory studies, because they are the direct forerunners of impressionist painting.",
    "provenance": "Hôtel Drouot Sale,  March 13, 1970 [no catalogue];  Marie-Madeleine Aubrun, 1970, by purchase; Hôtel Drouot Sale, November 27, 1998, lot. 54; Bertrand Gautier [Talabardon & Gautier], Paris, 1998, by purchase; Walters Art Museum, 2004, by purchase.",
    "date": "ca. 1810 (?)",
    "citationUrl": "https://purl.thewalters.org/art/37.2771",
    "rightsUri": "CC0",
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        "oil paintings (visual works)"
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}
Document source extras
{
    "med": "oil on paper mounted on canvas",
    "creator_ids": [
        "8659"
    ],
    "collection_ids": [
        "EAN"
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    "exhibition_ids": [
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}
Page context
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